María Izquierdo

1. Frances A. Elkins, Monterey, CA [incoming ; given to the Art Institute of Chicago, 1946.

Recorded by Art Institute of Chicago.

• Libertyville, IL, David Adler (now Adler Arts Center), term loan, May 10, 1949–July 10, 1950.
• Contemporary Arts Museum Houston, <em>Mexican Paintings and Drawings</em>, Sept. 13–29, 1953, cat. 45; College Station, Texas A&M University, Oct. 4–19, 1953.
• University of Chicago, term loan, Mar. 26–May 25, 1953.
• Mexico City, Mexico, Palacio de Bellas Artes, <em>Segunda bienal interamericana de México: cincuenta obras de Tamayo</em>, Sept. 5–Nov. 5, 1960, not in cat., (organized by the Museo Nacional de Arte Moderno).
• AZ, Phoenix Art Museum, <em>The Works of Rufino Tamayo, 1926–1967</em>, Feb. 13–Mar. 31, 1968, cat. 10.
• Mexico City, Centro Cultural Arte Contemporáneo, <em>Rufino Tamayo: del reflejo al sueño, 1920–1950</em>, Oct. 1995–Jan. 1996, cat. 47 (organized by Fundación Cultural Televisa).
• CA, Santa Barbara Museum of Art, <em>Tamayo: A Modern Icon Reinterpreted</em>, Feb. 17–May 27, 2007, cat. 36; Miami Art Museum, June 22–Sept. 16, 2007; Mexico City, Mexico, Museo Tamayo Arte Contemporáneo, Oct. 26, 2007–Jan. 21, 2008.
• Philadelphia Museum of Art, <em>Paint the Revolution: Mexican Modernism, 1910–1950</em>, Oct. 25, 2016–Jan. 8, 2017, cat. 107; Mexico City, Museo del Palacio de Bellas Artes, Feb. 3–Apr. 30, 2017; Museum of Fine Arts, Houston, June 14–Oct. 1, 2017.

• Lionello Venturi, "Rufino Tamayo," <em>Commentari</em> 1, no. 2 (Apr.–June 1950), 112–13, fig. 131, pl. 50 (ill.).
• Contemporary Arts Museum Houston, <em>Mexican Paintings and Drawings</em>, exh. cat. (Contemporary Arts Museum Houston, 1953), n.p., cat. 45, as <em>Portrait of Marie Izquierdo</em>, dated 1941.
• Charles Crehore Cunningham, <em>Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection</em> (Art Institute of Chicago, 1961), 444.
• James B. Lynch, <em>Tamayo: A Commentary</em>, exh. cat. (Phoenix Museum of Art, 1968), 33, 101, cat. 10.
• Lucia Garcia-Noriega y Nieto, ed., <em>Rufino Tamayo: del reflejo al sueño, 1920–1950</em>, exh. cat. (Fundación Cultural Televisa; Centro Cultural Arte Contemporáneo, 1995), 22–24, 74, cat. 47 (ill.), <a href="https://archive.org/details/rufinotamayodelr0000tama">https://archive.org/details/rufinotamayodelr0000tama</a>.
• Diana C. Du Port, <em>Tamayo: A Modern Icon Reinterpreted</em>, exh. cat. (Santa Barbara Museum of Art, 2007), 135, cat. 36 (ill.).
• Judith A. Barter, et al., <em>American Modernism at the Art Institute of Chicago, From World War I to 1955</em> (Art Institute of Chicago, 2009), 94, cat. 77 (ill.).
• Matthew Affron, et al., eds., <em>Paint the Revolution: Mexican Modernism, 1910–1950</em>, exh. cat. (Philadelphia Museum of Art; Museo del Palacio de Bellas Artes, 2016), cat. 107.

Woman with a Bird Cage

Art Institute of Chicago

Landscape

Art Institute of Chicago

The Fruit Vendor

Art Institute of Chicago

Head

Art Institute of Chicago

Woman in Mauve

Art Institute of Chicago

Mujeres: Torso of a Woman

Art Institute of Chicago

Watermelon

Art Institute of Chicago

Apocalypse of St. John (Apocalypse de Saint Jean)

Art Institute of Chicago

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