Meekness by Eustache Le Sueur
Art Institute of ChicagoPublic domain

Meekness

Eustache Le Sueur · 1650

Provenance

Ownership history

  1. Commissioned by Guillaume Brissonnet (died 1674) in 1650 for the chapel of his Paris town house [according to Guillet de Saint-Georges [1690], p. 164]; by descent to his son, Jean Baptiste Brissonnet (died 1698) [the early history of the house and its chapel decorations is recounted by Mérot 1987, pp.244-5]; sold with the house to Vincent d'Invault, 1698; sold to Jacques Turgot (died 1722), maître des Requêtes, 1714; by descent in 1757 to Anne Robert Jacques Turgot (died 1781); in 1775 the house was sold and the decorations dismantled; at Turgot's death, the paintings passed to his heirs including Etienne François Turgot, marquis de Sousmont, to at least 1784. Vincent Donjeux, Paris; sold LeBrun et Paillet, Paris, April 29 and following, 1793, lot 330, with "Justice," for 1,550 livres to Jouberton. Lafontaine, Paris; sold Chariot, Paris, May 28-June 2, 1821, lot 128 with "Justice", as "L'Innocence," for Fr 480. M. de Mauméjan, Paris; sold Lacoste, Paris, June 29-July 2, 1825, lot 40, with "Justice" as "L'Innocence." Jean Toussaint Arrighi de Casanova, duc de Padoue (died 1853), château de Courson-Monteloup (Essonne); by decent to Ernest Louis Hyacinthe Arrigi de Casanova, duc de Padoue (died 1888); by descent to his great grandson comte Ernest de Caraman, Châeau de Courson (died 1958) [the later descent of "Justice" and "Mansuétude" is given by Mérot 1987, p. 247]. Sold Hôtel Drouot, Paris, December 4, 1967, lot 81, to Comte de Gramont, as school of Eustache Le Sueur, "La Charité." Heim Gallery, London by 1974; sold to the Art Institute, 1974.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • London, Heim Gallery, Religious and Biblical Themes in French Baroque Painting, 1974, cat.7.

Literature

Published references

  • [Georges] Guillet de Saint-Georges, "Eustache Le Sueur [1690]," in Mémoires inédits sur la vie et les ouvrages des membres de l'Académie royale de peinture et de sculpture, vol. 1 (Paris, 1854), p. 164.
  • Florent Le Comte, Cabinet des singularitez d'architecture, peinture, sculpture, et gravure, vol. 3, (Paris, 1700), p. 98.
  • [Antoine Nicholas] D [ézallier d'Argenville (fils)], Voyage pittoresque de Paris, 2nd ed. (Paris, 1752), p. 207; reprint (Geneva, 1972), p. 49.
  • [Antoine Joseph Dézallier d'Argenville (père)], Abrégé de la vie des plus fameux peintres, new ed., vol. 4 (Paris, 1762), p.116.
  • Hébert, Dictionnaire pittoresque et historique, vol.1, Paris, 1766, p. 152; reprint (Geneva, 1972), p. 49.
  • L[ouis] Dussieux and A[natole] de Montaiglon, Nouvelles recherches sur la vie et les ouvrages d'Eustache Le Sueur (Paris, 1852), pp. 26, 63.
  • Charles Blanc, Historie des peintres de toutes les écoles, pt. 3, Ecole française, vol. 1 (Paris, 1865), p. 4.
  • J[ules] J[oseph] Guiffrey, "Lettres et documents sur l'acquisition des tableaux d'Eustache Le Sueur pour la collection du roi (1776-1789)," Nouvelles Archives de l'art français, année 1877, reprint (Paris, 1973), pp. 337-341.
  • Edmond Bonnaffé, Dictionnaire des amateurs français au XVII siècle (Paris, 1884), p. 44.
  • Gabriel Rouchès, Eustache Le Sueur, Paris (1923), p. 73.
  • Denys Sutton, "Richness of Old Masters," Financial Times, London ed. (June 25, 1974), p. 3.
  • The Toledo Museum of Art, European Paintings (Toledo, 1976), p. 97.

Comparables

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