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Moonlight Marine

Albert Pinkham Ryder · 1883; reworked c. 1923

Provenance

Ownership history

  1. E.M. Whiting, Berkshire, MA, 1883-1919; to Harold Somers, Brooklyn, New York, through MacBeth Galleries, March 1919-June 1923; to Martin A. Ryerson, through MacBeth Galleries, 1923-1933; bequeathed to the Art Institute of Chicago, 1933.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Boston, Sixth Annual Exhibition, Society of American Artists, May 7–June 3, 1883, cat. 99, as Moonlight.
  • New York, MacBeth Glaleries, Thirty Paintings by Thirty Artists, Mar. 1919, cat. 23.
  • University of Chicago, Renaissance Society, American Oil Paintings and French Watercolors, Feb. 1–Mar. 1, 1929, as Moonlight in Maine.
  • Art Institute, A Survey of American Art, July 21–Oct. 9, 1932, checklist, as Moonlight in Maine.
  • Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1933, cat. 474, Moonlight in Maine.
  • Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, June 1–Nov. 1, 1934, cat. 404, Moonlight in Maine.
  • Arts Club, Chicago, Albert Pinkham Ryder and Arthur Bowen Davies, May 7–31, 1946, cat. 11, as Moonlight.
  • WI, Milwaukee Art Institute, <em>Nineteenth Century American Masters</em>, Feb. 20–Mar. 28, 1948, no cat.
  • Cedar Rapids, Coe College, Great American Painters, Mar. 25–29, 1957.

Literature

Published references

  • Robert B. Harshe, <em>A Guide to the Paintings in the Permanent Collection</em> (Art Institute of Chicago, 1925), 163, cat. 2196, as <em>Moonlight</em>, <a href="https://hdl.handle.net/2027/gri.ark:/13960/s2hxd115k60">https://hdl.handle.net/2027/gri.ark:/13960/s2hxd115k60</a>.

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