
Art Institute of ChicagoPublic domain
Mrs. Klapp (Anna Milnor)
Thomas Sully · 1814
Provenance
Ownership history
- Commissioned from the artist by Dr. Joseph Klapp (1783–1843), Philadelphia, PA, husband of the sitter, along with his own portrait (1950.1363), begun June 3, 1814, and delivered September 23, 1814 [Thomas Sully papers, 1792–1871, reel N18, Archives of American Art, Smithsonian Institution, copies in curatorial object file]; by descent to his son Dr. William Henry Klapp (1817–1855), 1843; by descent to his son Dr. William H. Klapp (1849 or 1850–1924), Philadelphia, PA; by descent to his nephew Langdon Williams (1861 or 1862–1949), Philadelphia, PA, and Brookline, MA, by 1924. Richard C. Morrison, Concord, MA, by 1950; sold to M. Knoedler and Co., New York, 1950; sold to the Art Institute of Chicago, 1950.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/4071/two-centuries-of-american-art-1750-1950"><em>Two Centuries of American Art, 1750-1950</em></a>, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
- Philadelphia Museum of Art, Philadelphia, Three Centuries of American Art, Apr. 11–Oct. 10, 1976, Darrel Sewell and Page Talbot, cat. no. 190, ill. p. 232.
Literature
Published references
- Charles Henry Hart, “Thomas Sully’s Register of Portraits, 1801–1871,” Part I, Pennsylvania Magazine of History and Biography, 33 (1909), 65. no. 957.
- –––––. A Register of Portraits Painted by Thomas Sully, 1801–1871 (Philadelphia, 1909), 98, no. 957.
- Edward Biddle and Mantle Fielding, The Life and Works of Thomas Sully (1783–1872) (Wickersham Press, 1921), 200, no. 992.
- "Recent Purchases and Gifts," <em>Bulletin of the Art Institute of Chicago</em> 44, no. 4 (Nov. 15, 1950): 62–74 (ill.), as <em>Portrait of Mrs. Joseph Klapp (Anna B. Milnor)</em>.
- David A. Hanks, “American Paintings in the Art Institute of Chicago,” Magazine Antiques (September 1973), 415, ill. p. 416.
- John Maxon, The Art Institute of Chicago, 1970, 286, ill. p. 263.
- Milo M. Naeve, Classical Presence in American Art (Art Institute of Chicago, 1978), 23, ill., no. 28.
- –––––. “The Classical Presence in American Art,” The Magazine Antiques, September 1978, 502, ill.
- Chicago Historical Society,” The Collections,” Chicago History, 8, 1 (Spring 1979), 34–36, 34, ill.
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