Panorama from the Sasso by Claude Lorrain
Art Institute of ChicagoPublic domain

Panorama from the Sasso

Claude Lorrain · 1649/1655

Provenance

Ownership history

  1. Probably the estate of the artist [Roethlisberger 1973]; probably sold to Queen Christina of Sweden, 1689 [Roethlisberger 1973]. Don Livio Odescalchi, Duke of Bracciano (died 1711), from 1692 [Roethlisberger 1973]; by descent through the Odescalchi family [Folds McCullagh 2000]; sold by Countess Maria Sanminiatelli Odescalchi, Rome, to Richard Feigen, April 15, 1980 [letter from Ann Guite of Richard Feigen of December 1, 2003 in the curatorial file]; sold to the Art Institute, 1980.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Washington, D.C., The National Gallery of Art, "Claude Lorrain," October 17, 1982-January 2, 1983, cat. 40; also traveled to the Galeries Nationales du Grand Palais, Paris, February 15-May 16, 1983.
  • The Art Institute of Chicago, "Great Drawings from The Art Institute of Chicago: The Harold Joachim Years 1958-1983," July 24-September 30, 1985, pp. 84-85, cat. 33 (ill.), cat. by Martha Tedeschi.
  • Ohio, Cleveland Museum of Art, "From Fontainebleau to the Louvre: French Drawing from the 17th Century;" traveled to Cambridge, Mass., the Fogg Art Museum, February 24-April 18, 1990, cat. 33, cat by Hilliard T. Goldfarb.
  • New York, The Frick Collection, "From Pontormo to Seurat: Drawings Recently Acquired by The Art Institute of Chicago," April 23-July 7, 1991, n.p., cat. 16 (ill.); traveled to The Art Institute of Chicago, September 10, 1991-January 5, 1992.

Literature

Published references

  • Marcel Roethlisberger, "Neun Zeichnungen von Claude Lorrain," Du 33 (July 1973), p. 516 (ill.).
  • Marcel Roethlisberger, "A Panoramic View of Claude Lorrain," The Art Institute of Chicago Museum Studies 11 (Spring 1985), pp. 103-16 (ill.).
  • James N. Wood and Sally Ruth May, The Art Institute of Chicago: The Essential Guide (Chicago, 1993), p. 203 (ill.).
  • Suzanne Folds McCullagh, “'A Lasting Monument’: The Regenstein Collection at The Art Institute of Chicago,” The Art Institute of Chicago Museum Studies 26, 1 (2000), p. 10.
  • Suzanne Folds McCullagh, "From Maineri to Miró: The Regenstein Collection Since 1975," The Art Institute of Chicago Museum Studies 26:1 (2000), pp. 24-27, no. 6 (ill.).
  • Treasures from The Art Institute of Chicago, selected by James N. Wood, with commentaries by Debra N. Mancoff (Chicago, 2000), p. 118 (ill.).
  • The Essential Guide (Chicago, 2009), p. 293 (ill.).
  • Shelley Perlove and George S. Keyes (editors).
  • Seventeenth-Century European Drawings in Midwestern Collections (University of Notre Dame Press, 2014), pp. 226, fig. 6 (ill.)

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