Pastoral Scene with a Shepherdess Milking a Goat by Nicolaes Berchem
Art Institute of ChicagoPublic domain

Pastoral Scene with a Shepherdess Milking a Goat

Nicolaes Berchem · c. 1665–c. 1670

Provenance

Ownership history

  1. E. Arents, Brussels, by 1795; sold on August 12, 1795, to Gerard van der Pot of Groeneveld, for 336 guilders [according to Hofstede de Groot 1926]; Gerard van der Pot of Groeneveld, Rotterdam (died 1807); his estate sale, Gebroeders Van Ryp, Rotterdam, June 6, 1808, lot 13, to Nortwijck, for 1,160 florins [according to annotated copy of sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague; copy in curatorial file]. Charles Brind, London, by 1834 [according to Smith 1834, no. 286]; sold his estate sale, Christie’s, London, May 10 -12, 1849, lot 52, to Norton, for 91 guineas [according to annotated copy of the sale catalogue at the R.K.D, The Hague; copy in curatorial file]. George Field, Ashurst Park, Kent, by 1856 until at least 1875 [exhibited with his collection at Marlborough House, 1856, according to Waagen 1857]. Sold Sotheby’s, London, June 21, 1961, lot 205, to Terry Engell, for £500 [buyer and price in marked copy of sale catalogue in Ryerson Library; copy in curatorial file]. Gooden and Fox, Ltd., London, 1961; sold to Christian B. Peper, Saint Louis (died 2011); consigned by his estate to Christie’s, New York; sold Christie’s, New York, January 25, 2012, lot no. 46, to Scott Canel in consultation with two other members of the Old Masters Society; given to the Art Institute, 2012.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • London, British Institution, Exhibition of Italian, Spanish, Flemish, Dutch, French and English Masters, June 1840, no. 39.
  • London, British Institution, Exhibition of Italian, Spanish, Flemish, Dutch, French and English Masters, June 1848, no. 162.
  • Saint Louis, Saint Louis Art Museum, A Gentleman Collects, October 25, 2002-January 5, 2003, no cat. no.

Literature

Published references

  • John Smith, A Catalogue Raisonné of the Works of the most Eminent Dutch, Flemish, and French Painters, vol. 5 (London: Smith and Son, 1834), pp. 48, 91, nos. 140 and 286.
  • Gustav Waagen, Galleries and Cabinets of Art in Great Britain: Being an Account of more than forty Collections of Paintings, Drawings, Sculptures, MSS, &c, &c. Forming a Supplement to Treasures of Art in Great Britain (London: J. Murray, 1857), p. 194.
  • Cornelis Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century based on the Work of John Smith, vol. 9 (Esslingen: Neff; Paris: Kleinberger 1926), p. 116, no. 223.

Comparables

Related holdings by the same hand

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.

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