Pasturage

1. The artist; Arthur Jerome Eddy (1859–1920), Chicago, Mar. 1, 1913 [Brown 1963]; by descent to his wife Lucy O. Eddy (1863-1931) and son Jerome O. Eddy (1891-1951), Chicago, 1920; given to the Art Institute of Chicago, 1931.

Recorded by Art Institute of Chicago.

• Association of American Painters and Sculptors (organizer), International Exhibition of Modern Art; traveled to New York, Armory of the 69th Infantry, February 17–March 15, 1913, n.p. (cat. 247), as Scene de Paturage; Chicago, Art Institute, March 24–April 16, 1913, n.p. (cat. 116), as Pasturage; and Boston, Copley Society Hall, April 28–May 19, 1913. [New York and Chicago only]
• Chicago, Art Institute, The Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, December 22, 1931–January 17, 1932, pp. 22 (cat. 14), 25 (ill.), as The Pasture, c. 1912.
• Providence, Rhode Island School of Design, Exhibition of Paintings, Water Colors, Drawings and Prints by A. Dunoyer de Segonzac, March 6–21, 1933, n.p. (cat. 1), as Pasturage.
• Chicago, Renaissance Society, University of Chicago, Catalogue of Paintings of Sea and Land and City Streets, June–August, 1933, cat. 6, no cat.
• Chicago, Arts Club, Retrospective Exhibition by André Dunoyer de Segonzac, November–December 1938, cat. 6.
• Cincinnati, Art Museum, Pictures for Peace, A Retrospective Exhibition Organized from the Armory Show of 1913, March 18–April 16, 1944, n.p. (cat. 30), as The Pasture.
• Flint, Institute of Arts, Masterpieces in the Midwest, May 4–June 4, 1961, n.p. (cat. 43), as Pasutre.
• Amherst, Mass., Mead Arts Building, Amherst College, Armory Show in Retrospect, February 17–March 17, 1958, pp. 17 (cat. 14), 18, as Pasture, c. 1912.
• Utica, N.Y., Munson-Williams-Proctor Institute, Armory Show – 50th Anniversary Exhibition, February 17–March 31, 1963, pp. 50 (cat. 247, ill.), 204, 211, as Pasture (Scène de paturage), 1912; New York, Armory of the Sixty-ninth Regiment, April 6–28, 1963.

• Eddy, Arthur Jerome, Cubists and Post-Impressionism (Chicago: A. C. McClurg, 1914), pp. opp 182 (ill.), 200, as Pasturage.
• Art Institute, The Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, exh. cat. (Chicago: Art Institute, 1931), pp. 22 (cat. 14), 25 (ill.), as The Pasture, c. 1912.
• Rhode Island School of Design, Exhibition of Paintings, Water Colors, Drawings and Prints by A. Dunoyer de Segonzac, exh. cat. (Providence: Rhode Island School of Design, 1933), n.p. (cat. 1), as Pasturage.
• Cincinnati Art Museum, Pictures for Peace, A Retrospective Exhibition Organized from the Armory Show of 1913, exh. cat. (Cincinnati: Art Museum, 1944), n.p. (cat. 30), as The Pasture.
• Amherst College, The 1913 Armory Show in Retrospect, exh. cat. (Amherst, Mass.: Amherst College, 1958), pp. 17 (cat. 14), 18, as Pasture, c. 1912.
• Art Institute, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute, 1961), p. 133, as Pasture, 1912.
• Flint Institute of Arts, Masterpieces in the Midwest, exh. cat. (Flint: Institute of Arts, 1961), n.p. (cat. 43), as Pasture.
• Munson-Williams-Proctor Institute, Armory Show – 50th Anniversary Exhibition, exh. cat. (Utica, N. Y.: Munson-Williams-Proctor Institute, 1963), pp. 50 (cat. 247, ill.), 204, 211, as Pasture (Sène de paturage), 1912.
• Speyer, A. James and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago: University of Chicago Press, 1980), pp. 41–42 (no. 1G1), as Pasture (Scene de pâturage), 1912.
• Brown, Milton, The Story of the Armory Show (New York: Abbeville Press, 1988), p. 289 (no. 247), as Scene de pâturage. Chicago, 116. Pasturage. Now called Pasture, 1912.
• Vivian Endicott Barnett, The Chicago Lawyer Arthur Jerome Eddy and His Eclectic Art Collection (Philadelphia: American Philosophical Society Press, 2022), 75, 80, fig. 10.5 (color ill.), as Pasturage, 1912.

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.