Philip the Good, Duke of Burgundy; Isabelle of Bourbon (?)

1. Jacob Daniel Abegg, Mannheim, by 1822 [according to Waagen 1822]. Hollingworth Magniac (died 1867), Colworth House, Bedfordshire; heirs of Hollingworth Magniac, sold, Christie's, London, July 2 and 4, 1892, no. 14, to Durlacher for 55 gns. [according to an annotated copy of the sale catalogue at the Fitzwilliam Museum, Cambridge]. Wickham Flower, Guildford and London; his estate sale Christie's, London, December 17, 1904, to Dowdeswell for £325 10s [according to annotated catalogue at the Art Institute]. Wildenstein, Paris, by 1907 [lent to Paris 1907]. Dr. Albert Figdor, Vienna, by 1913 [letter of 30 March 1999 from Simona Brusa, Agnew’s]; sold to Thomas Agnew and Sons, London, 16 December, 1913 [according to letter cited above]; sold by Agnew's to Sir John Ramsden, Bart., 21 March, 1918 [according to letter cited above]. James P. Labey, London [according to registrar’s records; this information could not be verified, though Haskell did buy other pictures from Labey in Paris]; sold to Frederick T. Haskell, (died 1935), Chicago, by whom given to the Art Institute in 1935; accessioned in 1940 [Haskell’s wife disputed his gift, hence the delay in accessioning the painting].

Recorded by Art Institute of Chicago.

• New Gallery, London, 1899-1900, Exhibition of Pictures by Masters of the Flemish and British Schools including a Selection from the Works of Sir Peter Paul Rubens, cat. 57.
• Bruges, 1907, Exposition de la Toison d'Or, cat. 13.
• Bibliothèque Nationale, Paris, 1907, Exposition de portraits peints et dessinés du XIIIe au XVIIe siècle, cat. 532.
• Art Institute of Chicago, 1997, The Meeting of Heaven and Earth: Van Eyck's 'Annunciation', no cat.

• Gustav Friedrich Waagen, Über Hubert und Johann van Eyck (Breslau, 1822), pp.255-256.
• Max J. Friedländer, "Die Leihausstellung der New Gallery in London, Januar-März 1900. Hauptsächlich niederländische Gemälde des XV. und XVI Jahrhunderts", Repertorium für Kunstwissenschaft, 23 (1900), p. 247.
• H. Kervyn de Lettenhovoe et al., Les chefs-d'oeuvre d'art ancien à l'exposition de la toison d'or à Bruges en 1907 (Brussels, 1908), p. 10.
• [ ] Court, session of 1 June 1907, compte-rendu, and session of 1 march 1908, compte-rendu in Commission des antiquités du Département de la Côte d'Or, Mémoires, 15 (1906-1910), pp. LXXXVII and LCCVII-CXXVIII.
• W. H. James Weale, Hubert and John van Eyck, Their Life and work (London, 1908), pp. 177-178.
• W.H. James Weale and Maurice W. Brockwell, The Van Eycks and their Art, London, 1912, p. 199.
• Marguerite Devigne, "Une collection d'oeuvres d'art à Tournai au commencement du XVIIe siècle," Fédération archéologique et historique de Belgique, Annales, 24 (1921), p. 349, 353.
• Seymour de Ricci, "A Flemish Triptych for Melbourne II", The Burlington Magazine, 40 (1922), p. 171.
• Luiz Reis Santos, "Un portrait d'Isabelle de Portugal duchesse de Bourgogne, daté de 1470," Revue belge d'archéologie et d'histoire de l'art, 5 (1935), p. 135.
• Jeffrey Chipps Smith, "The Artistic Patronage of Philip the Good, Duke of Burgundy (1419-1467)", PhD. dissertation (Columbia University, 1979), pp. 289, 321.
• Micheline Comblen-Sonkes, Le Musée des Beaux-Arts de Dijon. Les Primitifs flamands. Corpus (Brussels, 1986), pp. 15, no. 4 and 226, no. 17.

Christ on the Cross

Art Institute of Chicago

Aeolus and the Winds

Art Institute of Chicago

Portrait of a Man

Art Institute of Chicago

Portrait of a Woman

Art Institute of Chicago

Bacchic Scene

Art Institute of Chicago

Portrait of a Woman

Art Institute of Chicago

Crucifixion Relief from a Rosary Bead

Art Institute of Chicago

Portrait of a Man

Art Institute of Chicago

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