Poncho Displaying Contorted Figures by Paracas
Art Institute of ChicagoPublic domain

Poncho Displaying Contorted Figures

Paracas · c. 200-150 BCE

Provenance

Ownership history

  1. Unknown owner, by 1932 [on loan to the Art Institute of Chicago, Bennett 1932, fig. 1]. Nasli and Alice Heeramaneck, Heeramaneck Gallery, New York, by 1953 [Rowe 2006, 147; incoming receipt RX2532, May 20, 1958; copy in curatorial file]; sold to the Art Institute of Chicago, 1958.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Art Institute of Chicago, Peruvian Garment Embroideries, Jan. 20-Apr. 1, 1932, no cat.
  • Art Institute of Chicago, Masterpieces of Western Textiles, Jan. 25-Mar. 2, 1969.
  • Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, Mexican, Central, and South American Textiles: A Living Legacy, Oct. 28, 1992-Jan. 17, 1993.
  • Art Institute of Chicago, Department of African and Amerindian Art, Aug. 24-Dec. 8, 2004.
  • Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/9122/super-natural-textiles-of-the-andes">Super/Natural: Textiles of the Andes</a>, Feb. 23-June 16, 2019, no cat.

Literature

Published references

  • Bessie Bennett, "Exhibition of Pre-Incan Fabrics and Ornaments," Bulletin of the Art Institute of Chicago 46, 2 (Feb. 1932): 18, fig. 1.
  • Junius Bird and Louise C. Bellinger, Paracas Fabrics and Nazca Needlwork, 3rd century BC-3rd Century AD (Washington, DC: The Textile Museum, 1954)a, 30.
  • Christa Charlotte Mayer, Masterpieces of Western Textiles from The Art Institute of Chicago, exh. cat. (Chicago: Art Institute of Chicago, 1969), 12-13, pl. 1.
  • Virginia Churchill Bath, Embroidery Masterworks: Classic Patterns and Techniques for Contemporary Application from the Textile Collection of the Art Institute of Chicago (Chicago: Henry Regnery Company, 1972), 1-4, pl. 1 (ill.).
  • Anne Paul, "The multiple layers of meaning in a Paracas Necropolis Textile," in Approaching Textiles, Varying Viewpoints: Proceedings of the Seventh Biennial Symposium of the Textile Society of America, ed. Ann Lane Hedlund (Textile Society of America, 2001), 210-20.
  • Anne Paul, “Las múltiples capas de significación de un tejido Paracas Necrópolis,” in Actas: II Jornadas Internacionales Sobre Textiles Precolombinos, ed. Victòria Solanilla Demestre (Universitat Autònoma de Barcelona, 2002), 178-89.
  • Ann Pollard Rowe, “A Paracas Mantle,” Hali 147 (July-Aug. 2006), color pl. 3.
  • Richard Townsend with Elizabeth Pope, <em>Indian Art of the Americas at the Art Institute of Chicago</em> (Chicago: Art Institute of Chicago with Yale University Press, 2016), 284, cat 226.

Comparables

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