Pont Saint Michel, Paris

1. Georges Bernheim, Paris, by June 11, 1920 [this and the following according to invoice from Bernheim Jeune & Cie. to Martin A. Ryerson, June 11, 1924, copy in curatorial file]; Martin A. Ryerson, Chicago, June 11, 1924; bequeathed to the Art Institute of Chicago, Nov. 11, 1933.

Recorded by Art Institute of Chicago.

• Chicago, Art Institute, A Century of Progress: Exhibition of Painting and Sculpture, June 1–November 1, 1933, p. 79, cat. 701, as Pont St. Michel, Paris (c. 1910).
• Chicago, Art Institute, A Century of Progress: Exhibition of Painting and Sculpture, June 1–November 1, 1934, p. 52, cat. 349, as Pont St. Michel, Paris, (c. 1910).
• New York, Marie Harriman Gallery, Les Fauves, October 20–November 24, 1941, n.p., cat. 9, as Le Pont Saint-Michel, Paris, ca. 1908.
• American Federation of the Arts (organizer), 19th Century French Paintings; traveled to Dayton, Art Institute, June 1–22, 1948; San Francisco, Legion of Honor, August 5–26, 1948; Springfield, Missouri, Art Museum, September 9–30, 1948; Poughkeepsie, Vassar College Art Gallery, October 15–November 3, 1948; Manchester, New Hampshire, November 16–December 7, 1948; Saginaw, Michigan, Museum, December 19, 1948–January 9, 1949; Omaha, Joslyn Memorial Art Museum, January 23–February 15, 1949; Memphis, Brooks Memorial Art Gallery, March 1–22, 1949; Utica, Munson-Williams-Proctor Institute, April 3–24, 1949; and Scranton, Everhart Museum, May 10–31, 1949.
• San Francisco, Museum of Art, Albert Marquet, 1875-1947, May 26–July, 1958, pp. 14 (ill.), opp. 14, cat. 28, 24, as Pont Saint Michel, Paris, c. 1910; traveled to Baltimore, Museum of Art; Cincinnati, Art Museum; Utica, Munson-Williams-Proctor Institute; and Seattle, Art Museum.
• Hamburg, Kunstverein, Albert Marquet: Gemalde, pastelle, aquarelle, zeichnungen, November 14, 1964–January 10, 1965, n.p. (cat. 45), as Pont Saint-Michel, 1910.
• Springfield, Illinois State Museum, The Art Resources Traveler: Fauve Painting, March 5–April 24, 1966; traveled to Muscatine, Iowa, Laura Musser Art Gallery and Museum, July 24–October 2, 1966; Peoria, Lakeview Center of the Arts and Sciences, November 30–January 8, 1967.
• New York, Wildenstein and Company, Albert Marquet, October 28–December 4, 1971, n.p., cat. 17, as Le Pont Saint-Michel, Paris, c. 1910.

• Art Institute, A Century of Progress: Exhibition of Painting and Sculpture, exh. cat., 2nd ed. (Chicago: Art Institute, 1933), p. 79, cat. 701, as Pont St. Michel, Paris (c. 1910).
• Art Institute, A Century of Progress: Exhibition of Painting and Sculpture, exh. cat. (Chicago: Art Institute, 1934), p. 52, cat. 349, as Pont St. Michel, Paris, (c. 1910).
• Marie Harriman Gallery, Les Fauves, exh. cat. (New York: Marie Harriman Gallery, 1941), n.p., cat. 9, as Le Pont Saint-Michel, Paris, ca. 1908.
• James Warren Lane, “The Paintings of Albert Marquet,” Gazette des Beaux-Arts 31 (May–June 1947), pp. 184, n.p. (ill.), fig. 7, as Pont Saint-Michel.
• San Francisco Museum of Art, Marquet, 1875-1947, exh. cat. (San Francisco: Museum of Art, 1958), pp. 14 (ill.), opp. 14, cat. 28, 24, as Pont Saint Michel, Paris, c. 1910.
• Art Institute, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute, 1961), pp. 294-295, as Pont Saint Michel, Paris, c. 1910.
• Kunstverein in Hamburg, Albert Marquet: Gemalde, pastelle, aquarelle, zeichnungen, exh. cat. (Hamburg and Ferdiandstor: Kunstverein in Hamburg, 1965), n.p. (cat. 45), as Pont Saint-Michel, 1910.
• Wildenstein, Albert Marquet, exh. cat. (New York: Wildenstein, 1971), n.p., cat. 17, as Le Pont Saint-Michel, Paris, c. 1910.
• A. James Speyer, Twentieth-Century European Paintings (Chicago: University of Chicago Press, 1980), p. 53, no. 2F2, as Pont St Michel, Paris, c. 1910.

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