Portrait Bust of a Woman by Ancient Roman
Art Institute of ChicagoPublic domain

Portrait Bust of a Woman

Ancient Roman · Mid–2nd century

Provenance

Ownership history

  1. Hans von Aulock (1906-1980), purchased in Istanbul, 1950s; sold to Horst-Ulbo Bauer, Kleinkunst der Antike, Cologne, by 1968 [see letter dated December 17, 2001 in curatorial file]; consigned to Mr. L. Rosenberg of Galerie Ars Antiqua, Lusanne, after 1968 [see letter dated December 17, 2001 in curatorial file]; sold to André Vogt, Switzerland, after 1968 [see letter dated December 17, 2001 in curatorial file]; sold to Swiss private investor, 1971; sold to Phoenix Ancient Art, Geneva and New York, mid 1990s; sold to the Art Institute of Chicago, 2002.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Art Institute of Chicago, Ancient Art Galleries, Gallery 156, 2002-February 2012.
  • Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 152, November 11, 2012-present.

Literature

Published references

  • “Handsome Acquisitions,” Antiquarian Society Newsletter (2002), p. 5 (ill.).
  • Ghenete Zelleke, “An Embarrassment of Riches: Fifteen Years of European Decorative Arts,” in “Gifts Beyond Measure: The Antiquarian Society and European Decorative Arts, 1987–2002,” special issue, Art Institute of Chicago Museum Studies 28, 2 (2002), pp. 87–89, cat. 55 (ill.).
  • Ghenete Zelleke, “David Adler, Benefactor and Trustee,” in David Adler, Architect: The Elements of Style, ed. Martha Thorne (Yale University Press, 2002), pp. 54–55 (ill.), 66.
  • Karen Manchester, “Bust of a Woman,” in “Notable Acquisitions at the Art Institute of Chicago,” special issue, Art Institute of Chicago Museum Studies 29, 2 (2003), pp. 54–55 (ill.), 95.
  • Art Institute of Chicago, “New Acquisition,” News and Events: The Art Institute of Chicago (Jan.–Feb. 2003), p. 5 (ill.).
  • Karen Manchester, Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago (Art Institute of Chicago, 2012), pp. 11; 33; 39, n. 134; 96–97, cat. 22 (ill.); 113.
  • Art Institute of Chicago, The Art Institute of Chicago: Pocketguide (Art Institute of Chicago, 2013), p. 19, fig. 36.
  • Art Institute of Chicago, “Acquisitions,” Art Institute of Chicago Annual Report 2001–2002 (Art Institute of Chicago, 2002), p. 11.
  • Karen Manchester, “Cat. 8 Portrait Bust of a Woman: Curatorial Entry,” in Roman Art at the Art Institute of Chicago (Art Institute of Chicago, 2016).
  • Rachel C. Sabino, with contributions by Lorenzo Lazzarini, “Cat. 8 Portrait Bust of a Woman: Technical Report,” in Roman Art at the Art Institute of Chicago (Art Institute of Chicago, 2016).
  • Sarah Elizabeth Beckmann, 2016, "Statuary Collections In The Late Roman Villas Of Hispania And Southwestern Gaul," PhD dissertation (University of Pennsylvania), p. 229, note 541.
  • Ashley Arico and Elizabeth Benge,“<a href="https://www.artic.edu/articles/740/a-new-look-at-faces-from-the-past"><em>A New Look at Faces from the Past,</em></a>” Art Institute of Chicago ARTicle, March 14, 2019.

Comparables

Related holdings by the same hand

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