Portrait of a Donor (recto); Saint Anthony of Padua (verso) by Hans Memling
Art Institute of ChicagoPublic domain

Portrait of a Donor (recto); Saint Anthony of Padua (verso)

Hans Memling · c. 1485

Provenance

Ownership history

  1. Linker, Bilbao, 1927 [Friedländer annotated a photograph now at the R.K.D., The Hague Linker / Bilbao / III 1928 / nach Restaur[ierung]]. Hugo Perls, Berlin, 1928 [according to Friedländer’s annotations to another photograph at the R.K.D., The Hague]; sold to Arthur Sachs, New York, 1929 [letter from Friedländer to Arthur Sachs, Mar. 16, 1951, and letter from Sachs to Waltraut van der Rohe, Mar. 2, 1957; both in curatorial file]; given to the Art Institute, 1953.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Art Institute of Chicago, The Christmas Story in Art, 1938–39 (no cat.).
  • Art Institute of Chicago, The Art of the Edge: European Picture Frames, 1300–1900, 1986, no. 34.

Literature

Published references

  • Julius Held, “A Diptych by Memling,” Burlington Magazine 68 (1936), pp. 176–79, pls. A–B.
  • “Memling’s Madonna,” Bulletin of the Art Institute of Chicago 35 (1941), p. 116 (ill. 1953.467; cover, ill. 1933.1050).
  • Thomas Bodkin, Dismembered Masterpieces: A Plea for Their Reconstruction by International Action, London, 1945, p. 29.
  • The Art Institute of Chicago, A Picture Book: Masterpieces of Painting, XV and XVI Centuries in the Collections of The Art Institute of Chicago, 1946, pp. 6–8 (ill. 1933.1050).
  • “The Face of Christ: A Portfolio of His Image through the Ages,” Fortune 33, 1 (1946), p. 143 (ill. 1933.1050).
  • Harry B. Wehle and Margaretta Salinger, A Catalogue of Early Flemish, Dutch and German Paintings, Metropolitan Museum of Art, New York, 1947, p. 71.
  • Helen Parker, The Christmas Story: Illustrated from the Collections of the Art
  • Institute of Chicago, Chicago, 1949, n.pag. (ill.).
  • “A Tour of the World of Art in 150 Masterpieces,” Masterpieces 1 (1950), p. 50.
  • Charles Fabens Kelley, “Chicago: Record Years,” Art News 51, 4 (1952), p. 107.
  • Heinrich Schwarz, “The Mirror in Art,” Art Quarterly 15 (1952), p. 100.
  • Leo van Puyvelde, La Peinture flamande au siècle des Van Eyck, Paris and New York, 1953, p. 266.

Comparables

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