Portrait of a Man

1. Karl von der Heydt, Berlin, by 1898 and probably until 1919 [lent by him to the Berlin 1898 and Düsseldorf 1904; photograph annotated by Max J. Friedländer, R.K.D., The Hague, suggests that von der Heydt sold the picture in 1919]. Duveen, 1920.3 Kleinberger, Paris and New York, by 1927 [Friedländer 1936]; sold to the Art Institute, 1931.

Recorded by Art Institute of Chicago.

• Berlin, Kunstgeschichtlicher Gesellschaft, Kunstwerken des Mittelalters und der Renaissance aus Berliner Privatbesitz, 1898.
• Düsseldorf, Kunsthistorische Ausstellung, 1904, no. 208.
• Art Institute of Chicago, A Century of Progress, 1933, no. 53.
• Art Institute of Chicago, A Century of Progress, 1934, no. 127.
• Kansas City, Mo., William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts, Seventh Anniversary Exhibition of German, Flemish, and Dutch Painting, 1940–41, no. 43.

• Max J. Friedländer, in Ausstellung von Kunstwerken des Mittelalters und Renaissance aus Berliner Privatbesitz, ed. Wilhelm Bode, Berlin, 1899, p. 26.
• Henri Hymans, Antonio Moro: Son Oeuvre et son temps, Brussels, 1910, p. 164.
• Art Institute of Chicago Annual Report, 1930, p. 18 (ill.).
• D[aniel] C[atton] Rich, “A Portrait by Antonio Moro,” Bulletin of the Art Institute of Chicago 26 (1932), pp. 14–15 (cover ill.).
• The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, pp. 14 (ill.), 164.
• “A Moro Noble Comes to Abide in Chicago,” Art Digest 6, 12 (1932), p. 10 (ill.).
• The Art Institute of Chicago, A Brief Illustrated Guide to the Collections, 1935, p. 23.
• Max J. Friedländer, Die altniederländische Malerei, vol. 13, Leiden, 1936, p. 174, no. 389, pl. 73; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, 1975, p. 104, no. 389, pl. 189.
• Simone Bergmans, “Le Triptyque de Viglius d’Aytta de François Pourbus,” Revue belge 9 (1939), p. 219.
• The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 338–39.
• Paul Philippot, “Le Portrait à Anvers dans la seconde moitié du XVI siècle,” Bulletin des Musées Royaux des Beaux-Arts de Belgique 14 (1965),
• Simone Bergmans, “Deux Oeuvres retrouvées de François Pourbus l’Ancien,” Revue belge d’archéologie et d’histoire de l’art 36 (1967), p. 11.

Portrait of a Seated Woman

Art Institute of Chicago

Portrait of Sir Thomas Gresham

Art Institute of Chicago

Portrait of a Court Lady

Art Institute of Chicago

Jan de Wael

Art Institute of Chicago

Helena Tromper Du Bois

Art Institute of Chicago

The Reed Offered to Christ

Art Institute of Chicago

Saint Anthony Abbot

Art Institute of Chicago

Titian and His Mistress

Art Institute of Chicago

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