Portrait of a Man with a Pink

1. Possibly Colonna di Sciarra collection, Rome [according to catalogue of the 1881 Beurnonville sale]. Étienne-Edmond Martin, 2nd baron de Beurnonville, Paris; sold, Pillet, Paris, May 9–16, 1881, no. 323, as Holbein, to Brame for 14,000 fr. [according to annotated sale catalogue in the Bibliothèque Nationale, Paris]. Ernest May, Paris; sold, Galerie Georges Petit, Paris, June 4, 1890, no. 106 (engraved), as Holbein, to Durand-Ruel for Charles L. Hutchinson on behalf of the Art Institute for 13,000 fr. [letter of Oct. 7, 1987 from France Daguet of Durand-Ruel in curatorial file; the purchase was supported retroactively by a gift from John J. Glessner; see Art Institute of Chicago 1895].

Recorded by Art Institute of Chicago.

• New York, Kleinberger, Loan Exhibition of Flemish Primitives, 1929, no. 48.
• Antwerp, Exposition d’art flamand ancien, 1930, no. 197.
• Art Institute of Chicago, A Century of Progress, 1933, no. 45.
• Art Institute of Chicago, A Century of Progress, 1934, no. 122.
• New York, Knoedler, Fifteenth Century Portraits, 1935, no. 16.
• New York, Durlacher Brothers, Six Paintings by Quentin Massys, 1936 (no cat.).
• Columbus (Ohio) Gallery of Fine Arts, A Concert of Masterpieces, 1939, no. 7.

• “At the Art Institute,” Chicago Tribune, Nov. 8, 1890.
• The Art Institute of Chicago, Catalogue of Works of Old Dutch Masters and Other Pictures, November 1890, p. 9, no. 1.
• The Art Institute of Chicago, Catalogue Paintings, Sculpture, and Other Objects Exhibited at the Opening of the New Museum, December 8, 1893 (reprinted January 1, 1894), p. 18, no. 157.
• The Art Institute of Chicago, Catalogue Paintings, Sculpture, and Other Objects in the Museum, March 15, 1894, p. 63, no. 157.
• The Art Institute of Chicago, Catalogue of Objects in the Museum, Part I, Sculpture and Painting, 1895, p. 81, no. 157.
• The Art Institute of Chicago, Catalogue of Objects in the Museum, Part I, Sculpture and Painting, 2nd ed., 1896, p. 91, no. 157.
• The Art Institute of Chicago, Catalogue of Objects in the Museum, Part I, Sculpture and Painting, 3rd ed., 1898, p. 112, no. 157.
• The Art Institute of Chicago, General Catalogue of Objects in the Museum, January 1904, p. 149, no. 9.
• AIC, Important Facts Regarding the Art Institute of Chicago with Reproductions of the Demidoff Masterpieces, Chicago, 1905, pp. 11, 22 (ill.).
• The Art Institute of Chicago, General Catalogue of Sculpture, Paintings, and Other Objects, February 1907, p. 160, no. 9.
• The Art Institute of Chicago, General Catalogue of Sculpture, Paintings, and Other Objects, June 1910, pp. 158–59, no. 9.
• The Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum, 1913, p. 108, no. 9.

The Misers

Art Institute of Chicago

Le Pecheur (The Fisherman)

Art Institute of Chicago

Portrait of Madame Anne-Jeanne Cassanéa de Mondonville, née Boucon (1708-1780)

Art Institute of Chicago

Portrait of Jean-Joseph Cassanéa de Mondonville

Art Institute of Chicago

Self-Portrait

Art Institute of Chicago

Portrait of Claude Charles Deschamps

Art Institute of Chicago

Portrait of M. Louis Silvestre

Art Institute of Chicago

Pair of Firedogs Representing Venus and Mars

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.