Portrait of an Artist by Follower of Frans Hals
Art Institute of ChicagoPublic domain

Portrait of an Artist

Follower of Frans Hals · 1644

Provenance

Ownership history

  1. Presumably Prince Anatole Demidoff, Villa San Donato, near Florence (died 1870); by descent to his nephew Prince Paul Demidoff (died 1885); offered his sale, Pillet, Le Roy and Mannheim, Florence, March 15-April 10, 1880, lot 1105, engraved, bought in; by descent to Princess Demidoff (formerly Princess Lise Troubetzkoi), 1885; sold through Durand-Ruel, Paris, June 1890, as part of a group of Dutch and Flemish paintings, many from the Demidoff collection, with funds advanced by Martin A. Ryerson and other trustees of the Art Institute [annual report 1891]; the cost of 1894.1023 was reimbursed by Charles L. Hutchinson, 1894.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Art Institute of Chicago, A Century of Progress: Exhibition of Painting and Sculpture, June 1–November 1, 1933, no. 63.
  • Art Institute of Chicago, A Century of Progress: Exhibition of Painting and Sculpture, June 1–November 1, 1934, no. 91.
  • The Detroit Institute of Arts, An Exhibition of Fifty Paintings by Frans Hals, January 10–February 28, 1935, no. 40.

Literature

Published references

  • “Notes on Current Art,” Chicago Daily Tribune, July 6, 1890, p. 32.
  • “Chicago an Art Center,” Chicago Daily Tribune, November 9, 1890, p. 1.
  • E. W. Moes, Iconographia Batava: beredeneerde lijst van geschilderde en gebeeldhouwde portretten van Noord-Nederlanders in vorige eeuwen (Amsterdam, 1897), p. 377, no. 3140.
  • Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago, 1901), p. 146, no. 13.
  • Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago, 1904), p. 151, no. 13.
  • Art Institute of Chicago, Important Facts Regarding the Art Institute of Chicago: with Reproductions of the Demidoff Masterpieces (Chicago, 1905), pp. 9, 12, ill.
  • Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago, 1907), pp. 156, 162.
  • E. W. Moes, Frans Hals: sa vie et son oeuvre (Brussels, 1909), pp. 82, 102, no. 39.
  • C. Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century Based on the Work of John Smith, vol. 3 (London, 1910), p. 57, no. 185.
  • Wilhelm von Bode, Frans Hals: His Life and Work (Berlin, 1914), p. 48, no. 241, pl. 152b.
  • Raymond Wyer, “Permanent Collections for Small Museums,” The International Studio 56 (1915), p. xxxix, ill.
  • Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago, 1920), p. 18, no. 13.

Comparables

Related holdings by the same hand

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