Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso)

1. Dr. Isaac Joseph de Meyer (d. 1861), Bruges, by 1859 [Weale 1859]; his son, Dr. August de Meyer, Bruges. Sold to Rodolphe Kann (d. 1905), Paris, by 1899 [according to Friedländer 1899]; his heirs; sold to Duveen, Paris and New York, 1907 [information supplied by Guy Bauman]; sold to Dowdeswell and Dowdeswell, London, Feb. 1912 [Kleinberger stock card, Department of European Painting, Metropolitan Museum of Art, New York]; sold to Kleinberger, Paris and New York, Mar. 1, 1912 [Kleinberger stock card cited above]; sold to Benjamin Altman, New York, July 3, 1912; bought back by Kleinberger, Nov. 16, 1912 [Kleinberger stock card]; sold to Martin A. Ryerson (d. 1932), Chicago, June 20, 1913 [bill of sale, Art Institute Archives]; on loan to the Art Institute from 1913; bequeathed to the Art Institute, 1933.

Recorded by Art Institute of Chicago.

• Bruges, Grande Salle des Halles, Tableaux de l’ancienne école néerlandaise, 1867, no. 19.
• Art Institute of Chicago, A Century of Progress, 1933, no. 55.
• Art Institute of Chicago, A Century of Progress, 1934, no. 128.
• Brussels, Musée Communal de Bruxelles, Maison du Roi, Rogier van der Weyden—Rogier de le
• Pasture, 1979, no. 16.
• Washington, D.C., National Gallery of Art, Prayers and Portraits: Unfolding the Netherlandish Diptych, November 16, 2006–February 4, 2007, cat. 37; Antwerp, Koninklijk Museum voor Schone Kunsten, March 3–May 27, 2007.
• The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, 26 June—14 September 2008, no cat.
• Leuven, Municipal Museum, Rogier van der Weyden 1400-1464: Master of Passions, September 20- December 6, 2009.

• W. H. James Weale, Belgium, Aix-la-Chapelle and Cologne, London,1859, p. 164.
• Emile Van den Bussche, “Museum Flandrense I:Le Cabinet du docteur De Meyer, à Bruges,” La Flandre: Revue des monuments d’histoire et d’antiquités (1875), pp. 189–90.
• Eduard Firmenich-Richartz, “Hugo van der Goes,” Zeitschrift für christliche Kunst 10 (1897), p. 378.
• Eduard Firmenich-Richartz, “Roger van der Weyden, der Meister von Flémalle: Ein Beitrag zur Geschichte der vlämischen Malerschule,” Zeitschrift für bildende Kunst 10 (1898–99), p. 143.
• Max J. Friedländer, Ausstellung von Kunstwerken des Mittelalters und der Renaissance aus Berliner Privatbesitz veranstaltet von der Kunstgeschichtlichen Gesellschaft, 20. Mai bis 3. Juli 1898, Berlin, 1899, p. 7.
• Wilhelm von Bode, Gemäldesammlung des Herrn Rudolf Kann in Paris, Vienna, 1900, pp. xxviii–xxix, pl. 84.
• Émile Michel, “La Galerie de M. Rodolphe Kann,” Gazette des Beaux Arts, 3rd ser., 25 (1901), p. 498.
• Auguste Marguillier, “La Collection de M. Rodolphe Kann,” Les Arts, no. 13 (1903), p. 3 (ill.).
• Seymour de Ricci, “Un Groupe d’oeuvres de Roger van der Weyden,” Gazette des Beaux-Arts, 3rd ser., 38 (1907), pp. 185–88 (ill.).
• Charles Sedelmeyer, Catalogue of the Rodolphe Kann Collection, Paris, 1907, vol. 1, p. xx, vol. 2, p. 15, no. 110 (ill.).
• C. J. Holmes, “Recent Acquisitions by Mrs. C. P. Huntington from the Kann Collection,” Burlington Magazine 12 (1908), p. 205.
• Ferdinand Laban, “Ein neuer Roger, Begleitworte zu seiner Veröffentlichung,” Zeitschrift für bildende Kunst, n.s., 19 (1908), pp. 58, 60 (ill.).

Francesco d'Este (born ca. 1429, died after 1486)

The Metropolitan Museum of Art

Man in Prayer

The Metropolitan Museum of Art

Virgin and Child

The Metropolitan Museum of Art

Men Shoveling Chairs (Scupstoel)

The Metropolitan Museum of Art

The Annunciation

The Metropolitan Museum of Art

Christ Appearing to His Mother

The Metropolitan Museum of Art

Studies of Saint John the Baptist

The Metropolitan Museum of Art

Head of Saint John the Baptist on a Charger

The Metropolitan Museum of Art

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.