Portrait of Mary Adeline Williams

1. The artist, Philadelphia; by descent to his estate and to Susan Macdowell Eakins (1851–1938), Philadelphia, 1916; sold to Babcock Galleries, New York, 1939; sold to the Art Institute of Chicago, 1939.

Recorded by Art Institute of Chicago.

• New York City, Kleeman Gallery, Thomas Eakins, Oct. 31–Nov. 25, 1939, cat. 6, as Lady in Black.
• Milwaukee Art Institute, WI, Six Centuries of Portrait Masterpieces, Oct. 2–Nov. 15, 1942, as Woman in Black, Mary Adeline Williams.
• IL, Durand Art Institute, Lake Forest College, <em>A Century of American Painting: Masterpieces Loaned by The Art Institute of Chicago</em>, June 10–16, 1957, no. 13, as <em>Addie, Woman in Black</em>.
• Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/4071/two-centuries-of-american-art-1750-1950"><em>Two Centuries of American Art, 1750-1950</em></a>, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
• Washington, DC, National Gallery of Art, Thomas Eakins, A Retrospective Exhibition, Oct. 8–Nov. 12, 1961, cat. 73, as <em>Addie, Woman in Black</em>; <a href="https://www.artic.edu/exhibitions/4169/thomas-eakins">Art Institute of Chicago</a>, Dec. 1, 1961–Jan. 7, 1962; Philadelphia Museum of Art, Feb. 1–Mar. 18, 1962.
• Philadelphia Museum of Art, Thomas Eakins, Artist of Philadelphia, May 29–Aug. 1, 1982, cat. 137, as Portrait of Mary Adeline Williams (Addie, Woman in Black); Museum of Fine Arts, Boston, Sept. 22–Nov. 28, 1982.
• Philadelphia Museum of Art, Thomas Eakins, Sept. 30, 2001–Jan. 6, 2002; Paris, Musee d'Orsay, Feb. 3–May 12, 2002, New York City, Metropolitan Museum of Art, June 10–Sept. 15, 2002.

• Memorial Exhibition of the Works of the Late Thomas Eakins, exh. cat., (Pennsylvania Academy of the Fine Arts, 1918).
• “Thomas Eakins 1844–1916,” The Pennsylvania Museum Bulletin, 25, 133 (Mar. 1930), entire issue.
• Lloyd Goodrich, Thomas Eakins: His Life and Work (Whitney Museum of American Art, 1933).
• Thomas Eakins, 1844–1916: A Retrospective Exhibition of his Paintings (Baltimore Museum of Art, 1936).
• “Last of Eakins,” Art Digest 14 (Oct. 1, 1939), 14.
• J.W.L. “Eakins Reviewed in Two Exhibits,” Art News 38 (Nov. 11, 1939), 11–12.
• Frederick A. Sweet, “Two Paintings by Thomas Eakins,” Bulletin of the Art Institute of Chicago, 34, 3 (Mar. 1940), 38–40.
• A Loan Exhibition of the Works of Thomas Eakins, 1844–1944, exh. cat., (M. Knoedler, 1944).
• Thomas Eakins Centennial Exhibition, 1844–1916, exh. cat., (Carnegie Institute, 1944).
• Margaret McHenry, The Eakins Who Painted (Weathwood, 1946).
• National Gallery of Art, Thomas Eakins, A Retrospective Exhibition, exh. cat. (National Gallery of Art, 1961), 105, cat. 73 (ill.), as <em>Addie, Woman in Black</em>.
• Sylvan Schendler, Eakins, (Little, Brown, and Company, 1967).

The Champion Single Sculls (Max Schmitt in a Single Scull)

The Metropolitan Museum of Art

Thomas Eakins

The Metropolitan Museum of Art

Two Pupils in Greek Dress

The Metropolitan Museum of Art

The Dancing Lesson

The Metropolitan Museum of Art

The Writing Master

The Metropolitan Museum of Art

The Chess Players

The Metropolitan Museum of Art

Pushing for Rail

The Metropolitan Museum of Art

Mrs. Mary Arthur

The Metropolitan Museum of Art

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.