Portrait of the Artist's Father, Ismael Mengs

1. Private collection or dealer in Cincinnati, Ohio, late 1930s [according to conversation of Philip Pinsof and Tiffany Johnston, 7 February 2002, notes in curatorial file]; Philip Pinsof, Wilmette, from late 1930s [according to conversation cited above]; given to the Art Institute, 1962.

Recorded by Art Institute of Chicago.

• Allentown, Penn., Allentown Art Museum, The World of Benjamin West, May 1-July 31, 1962, cat. 42 (ill.).
• Storrs, Conn., William Benton Museum of Art, University of Connecticut, Rome in the 18th Century, October 13-November 19, 1973, cat. 97.

• Art Institute of Chicago, Annual Report 1961-62 (Chicago, 1962), p. 13.
• Steffi Röttgen, “Two portraits by Mengs in the Art Institute of Chicago,” Art Institute of Chicago Museum Studies 5 (1970), pp. 72-74, fig. 3.
• Thomas Pelzel, Anton Raphael Mengs and Neoclassicism (New York and London, 1979), pp. 36-37, fig. 12.
• Barbara Steindl, “Anton Raphael Mengs” in Dictionary of Art, vol. 21 (London, 1996), p. 131.
• Steffi Röettgen, Anton Raphael Mengs 1728-1779 (Munich, 1999), p. 291, no. 222 (ill.).
• Palais Dorotheum, Vienna, 7 April, 2006, Alte Meister, 2123, auction catalogue, p. 244, under lot 210.

Johann Joachim Winckelmann (1717–1768)

The Metropolitan Museum of Art

Self-Portrait

The Metropolitan Museum of Art

Seated Nude Male

The Metropolitan Museum of Art

Rest on the Flight into Egypt

The Metropolitan Museum of Art

Holy Family with St. John the Baptist

The Metropolitan Museum of Art

Pleasure

The Metropolitan Museum of Art

The Triumph of History over Time

The Metropolitan Museum of Art

Oedipus before the Temple of the Furies between his Daughters Antigone and Ismene

The Metropolitan Museum of Art

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.