Processional Cross with Saint Mary Magdalene and a Blessed Hermit

1. Achillito Chiesa, Milan; sold American Art Association, New York, pt. 4, November 22–23, 1927, no. 110, as Pietro Lorenzetti, for $1800 [see American Art Sales 1927]. Sold by Kleinberger, New York, to Martin A. Ryerson (d. 1932), Chicago, 1927 [according to Registrar’s records]; on loan to the Art Institute from 1927; bequeathed to the Art Institute, 1933.

Recorded by Art Institute of Chicago.

• Muskegon, Michigan, Hackley Art Gallery, Italian Paintings in the Loan Collection from Mr. Martin A. Ryerson, M. Knoedler and Company, E. and A. Silberman, 1932, no. 1, as Gherardo Starnina.
• The Art Institute of Chicago, A Century of Progress, 1933, no. 97, as Gherardo Starnina.
• The Art Institute of Chicago, The Art of the Edge: European Frames, 1300–1900, 1986, no. 2.
• New York, Metropolitan Museum of Art, Painting and Illumination in Early Renaissance Florence, 1300–1450, November 17, 1994-February 26, 1995, cat. 28.
• Art Institute of Chicago, Devotion and Splendor: Medieval Art at the Art Institute of Chicago, 2004.
• Florence, Galleria dell'Accademia, Lorenzo Monaco: A Bridge from Giotto's Heritage to the Renaissance, May 9- September 24, 2006, cat. 11.

• American Art Sales 3, 1 (December, 1927), p. 40.
• D. C. Rich, “A Crucifixion by Bernardo Daddi,” Art Institute of Chicago Bulletin 22 (1928), pp. 74–75, ill.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago, 1922), p. 183.
• Bernard Berenson, Italian Pictures of the Renaissance (Oxford, 1932), p. 165.
• William R. Valentiner, Paintings in the Collection of Martin A. Ryerson, unpub. MS [1932], Archives, The Art Institute of Chicago, n. pag.
• Bernard Berenson, Pitture italiane del Rinascimento (Milan, 1936), p. 142.
• The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 224–25.
• Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA,” in Miscellanea Bibliothecae Hertzianae (Munich, 1961), p. 516.
• Bernard Berenson, Italian Pictures of the Renaissance: Florentine School, vol. 1 (London, 1963), p. 53.
• John Maxon, The Art Institute of Chicago (London, 1970), p. 24, ill.
• Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Mass., 1972), pp. 11, 292, 571.
• Miklós Boskovits, Pittura fiorentina alla vigilia del Rinascimento, 1370–1400 (Florence, 1975), p. 340, fig. 457.

Christ Stripped of His Garments

Art Institute of Chicago

Upturned Head of Saint Dominic

Art Institute of Chicago

Saint Anne and Saint Joachim Offering the Virgin Mary as a Child to the Eternal Father

Art Institute of Chicago

Putti Carrying the Cross (recto); Studies of a Hand (verso)

Art Institute of Chicago

Medici Armorial

Art Institute of Chicago

Study after Bernini's Angel sculpture at Ponte Sant'Angelo (recto); Copy of Africa Group (verso)

Art Institute of Chicago

Rinaldo Leaving Armida

Art Institute of Chicago

Olympus

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.