Rinaldo and Armida in Her Garden

1. Possibly one of four scenes from Tasso made for the 'gabinetto degli specchi' of the Palazzo Corner a San Polo, Venice [according to inventories and other documents discussed by Romanelli 1998]. Count Giovanni Serbelloni, Venice in 1838; by descent, until possibly 1886 [Molmenti 1911 and Knox 1978]. Giulio Cartier, Genoa by 1908 [Malaquzzi Valeri 1908]; Sedelmeyer Gallery, Paris, in 1912 [Ojetti 1912]; James Deering (d. 1925), Vizcaya, from 1913 [information sheet in curatorial file]; bequeathed,1925.

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, Century of Progress, June 1 – November 1, 1933, no. 157.
• Art Institute of Chicago, Century of Progress, June 1 – November 1, 1934, no. 335.
• Art Institute of Chicago, Loan Exhibition of Paintings, Drawings, and Prints by the two Tiepolos, February 4 – March 6, 1938, no. 7.
• London, Royal Academy of Arts, The Glory of Venice: Art in the Eighteenth Century, September 13 – December 14, 1994, no. 90; Washington, DC, National Gallery of Art, January 29 – April 23, 1995.
• Venice, Ca' Rezzonico, Giambattista Tiepolo, September 5-December 15, 1996, cat. 17b; New York, Metropolitan Museum of Art, January 24 – April 27, 1997.

• Pompeo Molmenti, G. B. Tiepolo: La sua Vita e le sue Opere (Milan, 1909), pp. 140-141, 145-147, 156, ill. (French trans. H. L. de Perera, Tiepolo, La vie et l’œuvre du peintre (1911), pp. 188-189, 308, nos. 186-189, pls. 186-88).
• Ugo Ojetti, “Le quattro tele del Tiepolo trafugate”, Emporium 36 (July 1912): pp. 64-69, ill.
• Camille Mauclair, “Exposition de Quelques Chefs-d’Oeuvre de G. B. Tiepolo,” in Dix Chefs-d’œuvre de G. B. Tiepolo exposés a la Galeries Ch. Sedelmeyer (Paris, 1912-3), pp. 5-34.
• Helen Parker, ed., Arno Art Studies: A Course in Picture Appreciation, vol. 1 (Chicago, 1930), pp. 208, 211.
• Michael Levey, “Review of Antonio Morassi: A Complete Catalogue of the Paintings of G. B. Tiepolo,” The Art Bulletin 45 (1963), p. 294.
• Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84 (1966), pp. 204-206.
• Mercedes Precerutti Garberi, affreschi settecenteschi delle ville Venete (Milan, 1968), p. 360.
• Aldo Rizzi, Le acqueforti dei Tiepolo (Milan, 1970), under no. 221. (English trans. Lucia Wildt, The Etchings of the Tiepolos: Complete Edition (1971), p. 414, under no. 225.)
• Lina Christina Frerichs, “Mariette et les Eaux-Fortes des Tiepolo,” Gazette des Beaux-Arts 78 (1971), pp. 246-247.
• George Knox, Catalogue of the Tiepolo Drawings in the Victoria and Albert Museum (London, 1975), p. 80.
• National Gallery of Canada, Tiepolo: etchings by the Tiepolos (Ottawa, 1976), pp. 66-67.
• Roberto Longhi, Disegno della Pittura Italiana, vol. II (Florence, 1979), no. 223, ill.

Allegory of the Planets and Continents

The Metropolitan Museum of Art

The Glorification of the Barbaro Family

The Metropolitan Museum of Art

The Triumph of Marius

The Metropolitan Museum of Art

The Apotheosis of the Spanish Monarchy

The Metropolitan Museum of Art

The Apotheosis of the Spanish Monarchy

The Metropolitan Museum of Art

The Investiture of Bishop Harold as Duke of Franconia

The Metropolitan Museum of Art

The Battle of Vercellae

The Metropolitan Museum of Art

Saint Thecla Praying for the Plague-Stricken

The Metropolitan Museum of Art

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