Rough Chant III – Homage to Luis Martín Santos (Abesti gogorra III – Homenaje a Luis Martín Santos)

1. The artist; sold through Galerie Maeght, Paris, to the Art Institute of Chicago, Aug. 4, 1967.

Recorded by Art Institute of Chicago.

• Paris, Galerie Maeght, Chillida, Apr. 28, 1964, cat. 2, as Abesti Gogora III.
• Saint-Paul-de-Vence, France, Fondation Maeght, Inauguration de la Fondation Maeght, July 28, 1964–undetermined closing date, not in cat.
• Duisburg, Germany, Wilhelm Lehmbruck Museum, Chillida, May 7–June 19, 1966, cat. 27, as Abesti Gogora III.
• Houston, The Museum of Fine Arts, Houston, Eduardo Chillida Retrospective, Oct. 4–Nov. 20, 1966, cat. 29, as Abesti Gogora III.
• Utica, NY, Munson Williams Proctor Arts Institute, Chillida, Jan. 15–Feb. 12, 1967, cat. 10; Saint Louis Art Museum, Mar. 9–Apr. 15, 1967, as Abesti Gogora III.
• Chicago, Art Institute of Chicago, Sculpture - A Generation of Innovation, June 23–Aug. 27, 1967, no cat. no.
• San Diego Museum of Art, Eduardo Chillida: Convergence, Aug. 2, 2025–Feb. 8, 2026, cat. 23.

• Carola Giedon-Welcker, Derrière le Miroir 143: Chillida, exh. cat. (Paris: Maeght Éditeur, 1964), 16, 18, cat. 2, as Abesti Gogora III.
• Raymond Cogniat, “La fondation maeght new art centre on the côte d ́azur” Studio
• International (1964): 200 (ill.), as Abesti gogora.
• Pierre Volboudt, Espace sacré, espace profane, no. 24 (December 1964): 32 (ill.), as Abesti gogora III.
• André Malraux and François Wehrlin, Derrière le Miroir 155: Fondation Maeght: Inauguration, exh. cat. (Paris: Maeght Éditeur, 1965), 24-25 (ill.), as Abesti Gogora III.
• Charles S. Spencer, “Eduardo Chillida, Sculptor of Space” Studio International 169, no. 866 (June 1965): 255 (ill.), as Wood sculpture in Paris exhibition 1964.
• Carola Giedon-Welcker, “Chillida” Quadrum: Revue internationale d'art moderne XX (1966): 54 (ill.), as Abesti Gogorá n° 3. (Chant Violent), 1962-1964.
• Gerhard Handler, Chillida, exh. cat. (Duisburg: Wilhelm-Lehmbruck-Museum, 1966), n.p., cat. 27 (ill.), as Abesti Gogora III.
• James Johnson Sweeney, Eduardo Chillida, exh. cat. (Houston: The Museum of Fine Arts, 1966), n.p. (ill., install), 18, 27, cat. 29, as ABESTI GOGORA III.
• Juan Daniel Fullaondo, “Personalidad de Eduardo Chillida” Nueva Forma 21 (1967): 55, reproduced in Chillida. Presentación a cargo de Juan Daniel Fullaondo (Madrid: Editorial Alfaguara, 1968), 14, no. 4, 15 (ill.), as Abesti Gogora III.
• Munson-Williams-Proctor Institute, Chillida, exh. cat. (Utica: Munson-Williams-Proctor Institute, 1967), n.p., cat. 10, as Abesti Gogora III.
• Juan Daniel Fullaondo, Ángel Crespo, Jorge de Oteiza, and Pilar Gómez Bedate, Primera Exposición Forma Nueva, exh. cat. (Madrid: Forma Nueva El Inmueble, 1967), 33.

The Sin of Maria de Endara

The Metropolitan Museum of Art

The Gathering of the Witches in the Prado of Berroscoberro

The Metropolitan Museum of Art

The Swans

The Metropolitan Museum of Art

Around the Void II (Alrededor del vacio II)

Art Institute of Chicago

Portfolio Folder, from Mas Alla

Art Institute of Chicago

Book Five, from Mas Alla

Art Institute of Chicago

Book Two, from Mas Alla

Art Institute of Chicago

Book Nine, from Mas Alla

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.