Saint Agatha

1. Sanctuary of the Virgin at Bellulla at Canovellas del Vallés, Barcelona, 1909 [Barraquer y Roviralta 1917, p. 407 and Post 1938, p. 472 n. 1, who noted that Barraquer published illustrations of Saint Lucy and a Crucifixion from the same altarpiece as they existed in the church in 1909]. Emili Cabot i Rovita, Barcelona, by 1915 [see Sánchez Sauleda 2014, p. 431]; sold through the agency of Miquel Utrillo to Charles Deering, Oct. 1, 1915, “Marycel,” Sitges, Spain and Chicago [Sánchez Sauleda 2014, Martino Arroyo 1918, shows the paintings installed at Marycel]; given to his daughters Mrs. Chauncey McCormick and Mrs. Richard E. Danielson, 1924 [Art Institute Archives]; Mrs. Richard E. Danielson, 1937 [in a division of their joint property, Registrar’s records]; given to her son James Deering Danielson, 1970 [Registrar’s records]; given to the Art Institute, 1970.

Recorded by Art Institute of Chicago.

• Cayetano Barraquer y Roviralta, Los religiosos en Cataluña durante la primera mitad del siglo XIX, vol. 4, Barcelona, 1917, pp. 407, 453–54
• José M. Martino Arroyo, Marycel, Publicaciones de Arquetectura, Barcelona, 1918, p. 46 (ill.).
• Elizabeth du Gué Trapier, Catalogue of Paintings (14th and 15th Centuries) in the Collection of the Hispanic Society of America, New York, 1930, p. xxxvi.
• Chandler Rathfon Post, A History of Spanish Painting, vol. 7, Cambridge, Mass., 1938, pp. 472–73, fig. 168.
• Juan Antonio Gaya Nuño, La pintura española fuera de España, Madrid, 1958, pp. 42, 331, nos. 2921–22.
• José Camón Aznar, Pintura medieval española, Summa artis 22, Madrid, 1966, p. 411.
• Judith Berg Sobré, Behind the Altar Table: The Development of the Painted Retable in Spain, 1350–1500, Columbia, Mo., 1989, fig. 24.
• Judith Berg Sobré in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 121-24, ill.
• Sebastià Sánchez Sauleda, “Entre Bernat Martorell i els Vergós: la col.lecció Deering i el patrimoni català a la diaspora” in Rosa Alcoy, ed., Art fugitiu: Estudis d’art medieval desplaçat, Barcelona, 2014, pp. 429-32, fig. 5.

Saint Lucy

Art Institute of Chicago

Mater Dolorosa (Sorrowing Virgin)

Art Institute of Chicago

Young Woman at an Open Half-Door

Art Institute of Chicago

The Garden of Paradise

Art Institute of Chicago

The Small Workshop of Mechanics

Art Institute of Chicago

Three Nude Women

Art Institute of Chicago

Saint Jerome in the Wilderness

Art Institute of Chicago

The Feast in the House of Simon

Art Institute of Chicago

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