Saint John the Baptist in Prison Visited by Two Disciples

1. Edourd Aynard, Lyons, by 1907 [see Perkins 1907]; sold Galerie Georges Petit, Paris, December 1–4, 1913 no. 51, to Kleinberger, Paris, as agent for Martin A. Ryerson (died 1932), Chicago, 1914 [an entry for June 18, 1914, in Ryerson’s notebook reads: “Bot [sic] of Kleinberter, Paris, 6 panels by Giovanni di Paolo (purchased by him at Aynard sale for 160 000 fr + 10%);” Art Institute Archives]; on loan to the Art Institute from 1914; bequeathed to the Art Institute, 1933.

Recorded by Art Institute of Chicago.

• New York, F. Kleinberger Galleries, Italian Primitives, 1917, no. 56.
• New York, The Metropolitan Museum of Art, Loan Exhibition of the Arts of the Italian Renaissance, May 7–September 9, 1923, no. 14.
• London, Royal Academy of Arts, Exhibition of Italian Art, 1200-1900, January–March, 1930, no. 929.
• Art Institute of Chicago, A Century of Progress, June 1–November 1, 1933, no. 85c.
• Art Institute of Chicago, A Century of Progress, June 1–November 1, 1934, no. 29c.
• Art Institute of Chicago, The Children’s Museum, Explanatory Exhibition of the Panels Showing Scenes from the Life of St. John the Baptist by Giovanni di Paolo, 1939 (no cat.).
• Boston, Museum of Fine Arts, Arts of the Middle Ages, February 17–March 24, 1940, no. 66.
• Art Institute of Chicago, Chicago’s Dream A World’s Treasure: The Art Institute of Chicago, 1893-1993, 1993, no cat.

• F. Mason Perkins, “Dipinti sconosciuti della scuola senese,” Rassegna d’arte senese 3, 1 (1907), pp. 82–83, ill.
• E. Jacobsen, Das Quattrocento in Siena: Studien in der Gemäldegalerie der Akademie (Strasbourg, 1908), p. 50.
• Bernard Berenson, The Central Italian Painters of the Renaissance, 2d ed. (New York and London, 1909), p. 177.
• Paul Schubring, “Opere Sconosciute di Giovanni di Paolo e del Vecchietta,” Rassegna d’arte 12, 10 (1912), pp. 163–64.
• J. A. Crowe and G. B. Cavalcaselle, A History of Painting in Italy, 2d ed., vol. 5, ed. T. Borenius (New York, 1914), p. 178 n.
• F. Mason Perkins, “Dipinti senesi sconosciuti o inediti,” Rassegna d’arte 14 (1914), p. 163 n. 2.
• Paul Schubring, Cassoni: Truhen und Truhenbilder der italienischen Frührenaissance (Leipzig, 1915), vol. 1, pp. 324–25, nos. 445–50, vol. 3, pl. CIV.
• Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture, and Architecture (Chicago, 1917), p. 165.
• Giacomo De Nicola, “The Masterpiece of Giovanni di Paolo,” Burlington Magazine 33, 184 (1918), pp. 45–54, pl. I.
• Fogg Art Museum, Harvard University: Collection of Mediaeval and Renaissance Paintings (Cambridge, Massachusetts, 1919), p. 121.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago, 1920), p. 62.
• Curt H. Weigelt, in Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, ed. Ulrich Thieme and Felix Becker, vol. 14 (Leipzig, 1921), p. 135.

The Annunciation to Zacharias; (verso) The Angel of the Annunciation

The Metropolitan Museum of Art

The Creation of the World and the Expulsion from Paradise

The Metropolitan Museum of Art

Coronation of the Virgin

The Metropolitan Museum of Art

Paradise

The Metropolitan Museum of Art

Madonna and Child with Saints

The Metropolitan Museum of Art

Saint Catherine of Siena Exchanging Her Heart with Christ

The Metropolitan Museum of Art

Saint Ambrose

The Metropolitan Museum of Art

The Miraculous Communion of Saint Catherine of Siena

The Metropolitan Museum of Art

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.