Saint Martin and the Beggar by Domenico Theotokópoulos, called El Greco
Art Institute of ChicagoPublic domain

Saint Martin and the Beggar

Domenico Theotokópoulos, called El Greco · c. 1597–c. 1600

Provenance

Ownership history

  1. Possibly in the artist’s studio at the time of his death, 1614 [the 1614 inventory of the artist’s estate includes “un S. Martin” (a St. Martin); transcribed by F[rancisco] de B[orja de] San Román [y Fernández], El Greco en Toledo, Madrid, 1910, p. 193]; possibly by descent to his son, Jorge Manuel Theotocopoulos (d. 1631), Toledo [the 1621 inventory of Jorge Manuel’s possessions includes “170 Un San Martin a caballo, de bara y terzia y tres quartas” (170 A Saint Martin on horseback, of one vara and a third by three quarters); transcribed by Francisco de Borja de San Román y Fernández, “De la vida del Greco,” Archivo español de arte y arqueología 3 (1927), p. 301]. Marquis de Perinat, Madrid, by 1910 [according to New York 1915]. Durand-Ruel, Paris, by 1912, with a half-share sold to Knoedler, New York [Stein 1993, p. 259, citing documents in the Durand-Ruel Archives, Paris, and letters to Louisine W. Havemeyer]; sold by Knoedler to Charles Deering (d. 1927), Chicago, by 1922; on loan to the AIC from 1922 [On loan from 1922 to 1931, when it was sent to Mr. and Mrs. Chauncey McCormick; Art Institute Archives]; given to his daughters Mrs. Chauncey McCormick and Mrs. Richard E. Danielson, 1924; Mrs. Chauncey McCormick, in a division of their joint property, by 1931; given to the Art Institute, 1949.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • New York, M. Knoedler & Co., Loan exhibition of paintings by El Greco and Goya for the benefit of the American Women War Relief Fund and the Belgian Relief Fund, 1915, cat. 4.
  • Art Institute of Chicago, A Century of Progress, June 1–November 1, 1933, cat. 176.
  • Art Institute of Chicago, A Century of Progress, June 1–November 1, 1934, cat. 76.
  • Columbus Gallery of Fine Arts, Spanish Paintings, Textiles, Furniture, Arms, and Pottery, 1936, no cat.
  • Norfolk, Va., Chrysler Museum of Art, The Genius of El Greco: Masterpieces from the Art Institute of Chicago, July 1–October 18, 1998, no cat.
  • Berlin, Staatliche Mussen, El Siglo de Oro: The Age of Velázquez, July 1 - October 30, 2016, cat. 5; Munich, Kunsthalle der Hypo-Kulturstiftung, November 25, 2016 - March 26, 2017.
  • Paris, Grand Palais, Greco, October 14, 2019–February 10, 2020; Art Institute of Chicago, El Greco: Ambition and Defiance, March 7–June 21, 2020, cat. 47. [Chicago Only].
  • Budapest, Szépművészeti Múzeum, El Greco in Budapest, Oct. 28, 2022 - Feb. 19, 2023, cat. 61.

Literature

Published references

  • Loan exhibition of paintings by El Greco and Goya for the benefit of the American Women War Relief Fund and the Belgian Relief Fund, exh. cat. (New York: M. Knoedler & Co., 1915), 10 cat. 4 [as The Legend of St. Martin].
  • August L Mayer, El Greco. Eine Einfühlung in da Leben und Werken des Dominico Theotocopuli gennant El Greco (Munich: Delphin Verlag, 1916), 52.
  • Georgiana Goddard King, “The Rider on the White Horse,” Art Bulletin 5, no. 1 (September 1922): 9, fig. 1.
  • M[arian] C[omings], “El Grecos in the Art Institute,” Bulletin of the Art Institute of Chicago 18 (March 1924): 29 (ill.), 32–33.
  • Exposition d’art espagnol, exh. cat. (Paris: Frazier-Soye, 1925), 93 under cat. 48.
  • August L. Mayer, Dominico Theotocopuli, El Greco: kritisches und illustriertes Verzeichnis des Gesamtwerkes (Munich: F. Hanfstaengl, 1926), 48, no. 298.
  • A[lice] C[hild] J[enckes], “Two Paintings by El Greco,” Bulletin of the Museum of Fine Arts Boston] 25, no. 148 (April 1927): 17.
  • Emilio Huguet del Villar, El Greco en España (Madrid: Espasa-Calpe, 1928), 103.
  • August L. Mayer, “‘St. Martin with the Beggar’ by El Greco,” Apollo 10 (1929): 151 (ill. opp. p. 151).
  • Walter Dill Scott and Robert B. Harshe, Charles Deering, 1852-1927: An Appreciation together with his Memoirs of William Deering and James Deering (Boston: Privately Printed, 1929), n.p. (ill), 49.
  • Ella S. Siple, “Art in America: Messrs. Knoedler’s Exhibition,” Burlington Magazine 55, no. 321 (1929): 332.
  • Frank Rutter, El Greco (1541–1614) (New York: E. Weyhe, 1930), 62, 98, no. 78, pl. 69.

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