Saint Romanus of Antioch and Saint Barulas

1. Church of San Roman, Seville, until at least 1800 [Cean Bermudez 1800]; removed by government decree and deposited in the Alcazar, Seville, 1810 [lmaz 1896, no. 11]; taken by Marshal Jean-de-Dieu Soult (1769-1851), 1st Duke of Dalmatia, Paris, by 1812 [see the Getty Provenance Index database, F-23, which lists the painting in Sault's estate inventory of February 5, 1852, as no. 150; date of acquisition according to Delenda 2009]; sale of his estate, Galerie Lebrun, Paris, May 19-22, 1852, lot no. 28, presumably bought in [according to an annotated copy of the sale catalogue, Rijksbureau voor Kunsthistorische Documentatie, The Hague; copies in curatorial file, and Baticle 1999]; by descent to his son, Napoleon-Hector Soult (1802-1857), 2nd Duke of Dalmatia, Paris [according to a postmortem inventory of his collection, dated January 18, 1858; Getty Provenance Index database, F-197, no. 9]; by descent; sold, collection of Marshal Soult, Hotel Drouot, Paris, April 17, 1867, lot no. 6, for 5,330 francs [according to an annotated copy of the sale catalogue, Rijksbureau voor Kunsthistorische Documentatie, The Hague; copy in curatorial file]. Sergei Ivanovich Stchoukine, Paris and Moscow, until 1910 [this and the following according to London 1913; date according to Delenda 2009]. Joachim Caravallo, Château de Villandry, France, from 1910 to 1914. Grafton Galleries, London, from 1914 to 1918 [Kehrer 1918; date according to Delenda 2009]. Charles Deering (1852-1927), Chicago and Miami, by 1918 [Arroyo 1918]; by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering) and Mrs. Richard Ely Danielson (née Barbara Deering); given to the Art Institute of Chicago, 1947.

Recorded by Art Institute of Chicago.

• London, Grafton Galleries, Exhibition of Spanish Old Masters in support of National Gallery funds and for the benefit of the Sociedad de Amigos def Arte Espanola, October 1913-January 1914, cat. 98.
• Art Institute of Chicago, A Century of Progress: Loan Exhibition of Paintings and Sculpture, June I-November 1, 1933, cat. 186.
• Art Institute of Chicago, A Century of Progress: Loan Exhibition of Paintings and Sculpture, June I-November 1, 1934, cat. 84.
• Art Institute of Chicago, Masterpiece of the Month, October 1948.
• London, National Gallery, Zurbarán, Oct. 1, 2026–Jan. 31, 2027, no cat. no, fig. 13; Paris, Musée du Louvre, Feb. 25–June 17, 2027; Art Institute of Chicago, Zurbarán: Divine Light, Feb. 28–June 17, 2027 [Paris and Chicago only].

• Juan Agustin Cean Bermudez, Diccionario historico de las mas ilustres profesores de las be/las artes en Espana vol. 6 (Madrid: Imprenta de la Viuda de Ibarra, 1800), 48.
• Paris, Galerie Lebrun, Vente de la Magnifique Galerie de Tableaux de Feu M. le Marechal-general Soult…, May 19, 1852, lot 28.
• Paris, Hotel Drouot, Catalogue des Tableaux provenant de la Galerie de Feu M. le Marechal General Soult, Duc de Dalmatie…, April 17, 1867, 9 lot 6.
• Charles Blanc, Histoire des peintres de toutes les écoles: école espagnole, vol. 4 (Paris: Libraire Renouard, 1869), 8.
• Justino Matute y Gaviria, "Adiciones y correcciones al tomo IX del 'Viaje de Espana' de D. Antonio Ponz. Carta III," Archivo Hispalense: revista historica, literariay artistica 3 (Seville: [Sociedad del Archivo Hispalense], 1887), 318.
• Manuel Gomez lmaz, Inventario de las Cuadros Sustraídos par el Gobierno Intruso en Sevilla el año de 1810 (Seville: E. Rasco, 1896), 61 no. 11.
• H[ippolyte] Mireur, Dictionnaire des ventes d'art faites en France et a l'etranqer pendant les XVIII et XIX siècles (Paris: Maison d'éditions d'œuvres artistiques, 1912), 597.
• August L. Mayer, "Die Ausstellung Alterer Spanischer meister in den Grafton Galleries zu London," Zeitschrift fiir bildende Kunst 25 (1914): 72, 74, fig. 8.
• Hugo Kehrer, Francisco de Zurbarán (Munich: Hugo Schmidt, 1918), 82, 138, 145, fig. 40.
• Jose Martino Arroyo, Marycel (Barcelona: Revista de arquitectura, 1918), [40-1 ], 44, 54 (ill.).
• "Zurbaran's Saint Roman, the Martyr," Bulletin of the Art Institute of Chicago 16, no. 4 (1922): 58-9 (ill.).
• August L. Mayer, Geschichte der Spanischen Malerei (Leipzig: Klinkhardt and Biermann, 1922), 318, fig. 235.

Battle between Christians and Muslims at El Sotillo

The Metropolitan Museum of Art

The Young Virgin

The Metropolitan Museum of Art

Saint Benedict

The Metropolitan Museum of Art

Manuel Osorio Manrique de Zuñiga (1784–1792)

The Metropolitan Museum of Art

Condesa de Altamira and Her Daughter, María Agustina

The Metropolitan Museum of Art

The Crucifixion

The Metropolitan Museum of Art

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)

The Metropolitan Museum of Art

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect

The Metropolitan Museum of Art

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