Saints Jerome and Francis of Assisi Adoring the Trinity

• Washington, D.C., National Gallery of Art, "Italian drawings in The Art Institute of Chicago," pp. 37-38, no. 30, pl. 40, cat. by Harold Joachim and Suzanne Folds McCullagh; traveled to The Art Institute of Chicago, 1979-80.
• The Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," April 10-June 22, 1997.

• Joachim Harold and Suzanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries, pp. 63-64, no. 2D12 (as "Bartolomeo Passarotti [?], Saints Jerome and Dominic Adoring the Trinity")
• Nicola Spinosa and Rossana Muzii, I Grandi Disegni Italiani nella Collezione del Museo di Capodimonte a Napoli (Milan, 1987), no. 17 (as "dubitavamente attribuito al Passerotti").
• Corrine Höper, Bartolomeo Passarotti, 1529-1592 (Worms, 1987), vol. 2, p. 171, under Z 254.
• Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 181-82, no. 236 (ill.).

Two Sketches: Kneeling Putto Holding a Head (recto) Details of a Nude Male Child (verso)

Art Institute of Chicago

Ideal Bust of a Woman

Art Institute of Chicago

Old Matron and Young Woman

Art Institute of Chicago

Standing Putto Seen from the Front: Study for the Virgin in Glory with Saints Petronius, Dominic, and Peter Martyr

Art Institute of Chicago

Half-Length Sketch of a Gentleman Wearing Hat and Cape

Art Institute of Chicago

Cumean Sibyl

Art Institute of Chicago

Saint Jerome

Art Institute of Chicago

Standing Putto Seen From the Back

Art Institute of Chicago

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