Scipio Returning the Spanish Bride to Her Family

1. Possibly Marquis Charles-Philippe of Chennevières-Pointel (1820–1899), Paris and Bellesme, France [Deering collection records].  Charles Deering (1852–1927), Chicago [stamp (Lugt 516) verso, lower right, in blue]; by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering; 1886–1965), Chicago and Mrs. Richard Ely Danielson (née Barbara Deering; 1885–1957), Chicago; given to the Art Institute of Chicago, 1927.

Recorded by Art Institute of Chicago.

• The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 58-59, 63 (ill.), 64, 311, 335, cat. 15, cat. by Victoria Sancho Lobis, et. al.

• Daniel Catton Rich, “Two Drawings by Rembrandt,” Art Institute of Chicago Bulletin, XXIII, no. 4 (1929), (1929), p. 41 (ill.) (as copy after Rembrandt).
• Holm Bevers, Zeichnungen der Rembrandtschule in Berliner Kupferstichkabinett: Kritischer Katalog mit einem Beitrag von Georg Josef Dietz und Antje Penz (Dresden: Sandstein Verlag, 2018), under no. 25, p. 56 (as comparable to 18th-century copy after Ferdinand Bol).

Jacob's Farewell to Benjamin

Art Institute of Chicago

The Raising of Lazarus

Art Institute of Chicago

Young Man in a Turban

Art Institute of Chicago

Copy after the Levite and the Violated Woman

Art Institute of Chicago

The Supper at Emmaus

Art Institute of Chicago

Young Woman at an Open Half-Door

Art Institute of Chicago

Three Oriental Figures (Jacob and Laban?)

Art Institute of Chicago

Old Man with a Gold Chain

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.