Still Life by Georges Braque
Art Institute of Chicago

Still Life

Georges Braque · 1914

Provenance

Ownership history

  1. Galerie Kahnweiler, Paris [inventory #2244 on back]. Sold, Hotel Drouot, Paris, December 12, 1925, lot. 9 (ill.), to Earl Horter (1880-1940), Philadelphia, [Philadelphia 1999]; Mrs. Charles Goodspeed (née Elizabeth Fuller, later Mrs. Gilbert Chapman; 1893–1980), Chicago, from May 9, 1934 [Philadelphia 1999]; given to the Art Institute, 1947.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Philadelphia, Pa., Pennsylvania Museum of Art, "The Collection of Earl Horter," February 17–March 13, 1934, no cat.
  • Chicago, The Arts Club, "Modern Paintings from the Collection of Mr. Earl Horter of Philadelphia," April 3–26, 1934, n. p., cat. 11, as Still Life.
  • Chicago, The Arts Club "Loan Exhibition of Modern Paintings and Drawings from Private Collections in Chicago," November 4–25, 1938, n. p., cat. 7, as Abstraction.
  • Washington, D.C., Phillips Memorial Gallery, "Georges Braque: Retrospective Exhibition," December 6, 1939–January 6, 1940, n. p., cat. 18, as Abstraction.
  • Seattle, Wash., Henry Art Gallery, University of Washington, "Intentional Impurity," November 9–December 9, 1973.
  • Kunsthalle Bielefeld, "Zeichnungen und Collagen des Kubismus: Picasso, Braque, Gris," March 11–April 29, 1979, p. 271, cat. 152 (ill.), as Stilleben.
  • Paris, Centre Georges Pompidou, Musée national d'art moderne, "Georges Braque: Les Papiers Colles," June 17–September 27, 1982, pp. 164–165, cat. 50 (ill.), as Le paquet de tabac.
  • Washington, D.C., The National Gallery of Art, "Braque: The Papiers Collés" October 31, 1982–January 16, 1983, p. 136, cat. 48 (ill.), as The Package of Tobacco (Le paquet de tabac).
  • London, Tate Gallery, "The Essential Cubism: Braque, Picasso, & their Friends, 1907–1920," April 27–July 9, 1983, pp. 108–109, cat. 37 (ill.), as Glass, Newspaper, Packet of Tobacco and Sheet-music.
  • The Art Institute of Chicago, "Joseph Cornell and Twentieth Century Collage," August 3–November 11, 1985, no cat.
  • New York, Museum of Modern Art, "Picasso and Braque: Pioneering Cubism," September 20, 1989–January 16, 1990, p. 318 (ill.).
  • Philadelphia, Pa., Philadelphia Museum of Art, "Mad for Modernism: Earl Horter and His Collection," March 7–May 16, 1999, p. 70, cat. 7

Literature

Published references

  • George Isarlov, Collection Orbes: Georges Braque 3 (Paris, 1932), p. 20, no. 199, as Paquet de Tabac.
  • Una E. Johnson, Drawings of the Masters: 20th Century Drawings, Part I: 1900–1940 (New York, 1964), pp. 118–-119, pl. 87, as Collage.
  • Marco Valsecchi and Massimo Carra, L’Opera completa di Braque dalla scomposizione cubista al recupero dell’oggetto 1908–1929 (Milan, 1971), pp. 92 and 93, no. 140 (ill.), as Composizione.
  • Nicole Worms de Romilly and Jean Laude, Braque, le Cubism, fin 1907-1914 (Paris, 1982), pp. 255 and 290, no. 243 (ill.), as Glass and Tobacco.
  • Bernard Zurcher, Georges Braque: Life and Work, trans. by Simon Nye (New York, 1988), pp. 116–117, pl. 80, as Packet of Tobacco.
  • Sandy Brooke, Hooked on Drawing: illustrated lessons and exercises for grades 4 and up (Englewood Cliffs, N.J., 1996), p. 231 (ill.).
  • Sandy Brooke, Drawing as Expression: Techniques and Concepts (Upper Saddle River, N.J., 2002), p. 260 (ill.).

Comparables

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