Stoke-by-Nayland

1. Sold, the artist’s estate sale, Foster and Sons, London, May 16, 1838, lot 40 together with a sketch of the Opening of Waterloo Bridge to Joy [Graves 1918 and Day 1968]. Miss Morris; sold June 26, 1860 lot 108 to Cox [annotated sale cat. in the Nederlands Instituut voor Kunstgeschiedenisn, The Haag; copy in curatorial object file. See also Redford 1888]. Jonathan Nield (1790–1887), Dunster House, Rochdale, England; sold, Christie’s, London, May 3, 1879, lot 13 to Permain [annotated sale cat. in curatorial object file. See also Redford 1888, Graves 1918 and Day 1968]. Sir Frederick Thorpe Mappin (1821–1910); sold, his estate sale, Christie’s, London, June 17, 1910, lot 14 to Arthur J. Sulley & Company, London [this and the following according to Knoedler Stock Book 5, no. 12466, Getty Research Institute, Los Angeles; copy in curatorial object file. See also annotated sale cat. in curatorial object file ]; sold to Knoedler and Company, New York, May 1, 1911; sold to Mrs. William Wallace Kimball (died 1921), Chicago, July 11, 1911; given to the Art Institute of Chicago, 1922.

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, A Century of Progress, June 1–Nov. 1, 1933, cat. 190.
• Art Institute of Chicago, A Century of Progress, June 1–Nov. 1, 1934, cat. 136.
• Art Institute of Chicago, Masterpiece of the Month, April 1940, no cat.
• Art Institute of Chicago, Masterpieces of English Painting: Hogarth, Constable, Turner, Oct. 15–Dec. 22, 1946.
• New York, Museum of Modern Art, Masters of British Painting, 1800–1950, Oct. 2–Dec. 2, 1956, cat. 27; St. Louis, City Art Museum, Jan. 10–Mar. 2, 1957; San Francisco, California Palace of the Legion of Honor, Mar. 28–May 12, 1957 [New York only].
• New York, Metropolitan Museum of Art, Constable's England, Apr. 13–Sep. 4, 1983.
• Art Institute of Chicago, The Art of the Edge: European Frames 1300-1900, Oct. 17–Dec. 14, 1986, cat. 59, inaccurately numbered 1922.4433.
• London, Tate Gallery, John Constable, June 12-Sep. 15, 1991, cat. 218.
• Paris, Galeries Nationales du Grand Palais, Constable: le choix de Lucian Freud, Oct. 8, 2002–Jan. 13, 2003, cat. 190.
• London, Tate Britain, Constable: The Great Landscapes, June 1–Aug. 28, 2006, cat. 68; Washington, D.C., the National Gallery, Oct. 1– Dec. 31, 2006; San Marino, Huntington Library, Feb. 3–Apr. 29, 2007.
• London, Tate Britain, Turner and Constable: Rivals and Originals, November 27, 2025–April 12, 2026, cat. 176, as c. 1835–7.

• C[harles] R[obert] Leslie, Memoirs of the Life of John Constable, Esq. R. A. (London: James Carpenter, 1843), 104–105.
• C. J. Holmes, Constable and his Influence on Landscape Painting (Westminster: Archibald Constable, 1902), 249
• “Accessions and Loans: August–November, 1922,” Bulletin of the Art Institute of Chicago (Dec. 1922), 98.
• Marguerite B. Williams, “Valuable Collection of Paintings Added to Chicago’s Art Treasures,” America Today–Fort Dearborn Magazine (1924): 10–11, 26.
• A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute, 1925), 131 no. 750.
• “Constable’s Stoke-by-Nayland,” Bulletin of the Art Institute of Chicago (April 1926), 51–53.
• Kimball Gallery of Paintings: 17th to 19th century (Chicago: Art Institute, nd), 37–38.
• Charles Holmes, “Mr. Shirley on Lucas and the Lucas Constable,” Burlington Magazine 58 (May 1931): 253
• A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute, 1932), 89 (ill.).
• C. H. Collins Baker, British Painting (London: The Medici Society, 1933), 160 (ill.).
• Alfred M. Frankfurter, “Art in the Century of Progress,” The Fine Arts (June 1933): 26 (ill.), 61.
• R. H. Wilenski, English Painting (London: Faber and Faber, 1933), pl. 115, 218.

Landscape (The Lock)

Art Institute of Chicago

Landscape with Cottages

Art Institute of Chicago

An Old Bridge at Salisbury

Art Institute of Chicago

Hampstead, Stormy Sky

Art Institute of Chicago

A Stand of Elm Trees (recto); A Study of East Bergholt with the Church (verso)

Art Institute of Chicago

Landscape with Cows

Art Institute of Chicago

Death of Ananias

Art Institute of Chicago

Binfield Rectory and Church, Berkshire

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.