Stowing Sail by Winslow Homer
Art Institute of ChicagoPublic domain

Stowing Sail

Winslow Homer · 1903

Provenance

Ownership history

  1. The artist to his brother, Charles S. Homer, Jr. (1834–1917), New York, by 1910 [according to correspondence from Abigail Booth Gerdts to the Art Institute, February 10, 2007]. Charles W. Gould (1849–1931), New York, by 1915 [Brooklyn exh. cat. 1915]. Sold by Knoedler and Company, New York, to Martin A. Ryerson (1856–1932), Chicago, November 11, 1915 [invoice]; given to the Art Institute, 1933.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • New York, The Museum of the Brooklyn Institute, "Water Colors by Winslow Homer," October 16–November 7, 1915, p. 9, cat. 44.
  • The Art Institute of Chicago, "Twenty Water Colors by Winslow Homer, Martin Ryerson Collection," January 5–June 16, 1916, no cat.
  • Pittsburgh, Pa., Carnegie Institute, "Winslow Homer and John Singer Sargent: An Exhibition of Water Colors," November 1–27, 1917, cat. 18; also traveled to the
  • Cleveland Museum of Art, November 30–December 31, 1917; the Toledo Museum of Art, January 1918; the Detroit Museum of Art, February 2–28, 1918; the Minneapolis Institute of Arts, March 1918; the Milwaukee Art Institute, April 1918; the City Art Museum of St. Louis, May 5–26, 1918; and the Memorial Art Gallery, University of Rochester, New York, June 6–July 7, 1918.
  • The Art Institute of Chicago, "Watercolors by Winslow Homer Lent by Martin A. Ryerson," October 1–26, 1920, no cat.
  • Muskegon, Mich., Hackley Art Gallery, "Watercolors and Drawings by Winslow Homer, Lent by Martin Ryerson," May 9–June 20, 1921, no cat.
  • The Art Institute of Chicago, "Watercolors by Winslow Homer, Martin Ryerson Collection," July–September, 1921, no cat.
  • The Art Institute of Chicago, "The Second International Water Color Exhibition," April 15–May 21, 1922, p. 20, cat. 209.
  • Paris, Hotel de la Chambre Syndicale de la Curiosité et des Beaux Arts, "Exposition d'Art Americain," May 18–June 25, 1923, p. 39, cat. 8.
  • Omaha Society of Fine Arts, December 26, 1924–February 3, 1925, no cat.
  • The Art Institute of Chicago, "Watercolors by Winslow Homer from the Collection of Martin A. Ryerson," April 1926, no cat.
  • The Art Institute of Chicago, "Watercolors by Winslow Homer from the Collection of Martin A. Ryerson," July–Fall, 1926, no cat.

Literature

Published references

  • “Knoedler Firm Buys 21 Winslow Homers,” New York Herald (November 19, 1915).
  • “Notes,” Bulletin of The Art Institute of Chicago 10: 2 (February 1916), p. 143.
  • The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1925), p. 164, no. 2396.
  • Albert Ten Eyck Gardner, Winslow Homer, American Artist: His World and His Work (New York, 1961), p. 175 (ill.).
  • Philip C. Beam, Winslow Homer at Prout’s Neck (Boston, 1966), pp. 225 and 227, fig. 80.
  • Winslow Homer’s Sub-Tropical America, exh. cat. (Coral Gables, Fla.: Lowe Art Museum, University of Miami, 1968), p. 31, cat. 48.
  • John Wilmerding, Winslow Homer (New York, 1972), pp. 169 and 197, fig. 5–15.
  • Patti Hannaway, Winslow Homer in the Tropics (Richmond, 1973), pp. 264-65, pl. 62.
  • Theodore E. Stebbins, Jr., American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present (New York, 1976), pp. 243–44 and 428, fig. 202.
  • Gordon Hendricks, The Life and Work of Winslow Homer (New York, 1979), pp. 257 and 286, fig. CL–118.
  • Laura Whipple, Celebrating America: A Collection of Poems and Images of the American Spirit (New York, 1994), pp. 61 and 77 (ill.).
  • Megan Holloway Fort, “Current and coming,” The Magazine Antiques 173: 2 (February 2008), pp. 16 (ill.).

Comparables

Related holdings by the same hand

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.

Research assistant

Ask about this record