Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso) by Vittore Carpaccio
Art Institute of ChicagoPublic domain

Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso)

Vittore Carpaccio · 1507/08

Provenance

Ownership history

  1. Lt. Col. Norman R. Colville (1893-1974), London, by Feb. 1937-at least 1944 [Popham 1937; Tietze and Tietze-Conrat 1944]. Dr. Francis Carl Springell (1898-1974), London; sold, Sotheby’s, London, June 28, 1962, lot 13 (ill.), to Harris [price list]. Sold by Richard Zinser, New York, to the Art Institute, 1962.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Venice, Palazzo Ducale, "Vittore Carpaccio," June 15-Oct. 6, 1963, cat. 24 (ill. recto and verso), as "Workshop collaborator of Benedetto Carpaccio".
  • New York, Wildenstein and Company, "Master Drawings from The Art Institute of Chicago," Oct. 17-Nov. 30, 1963, cat. 4 (ill. verso), as "Two Kneeling Ecclesiastics".
  • The Art Institute of Chicago, "The Helen Regenstein Collection of European Drawings," 1974, pp. 8-9, cat. 1 (ill. recto and verso), by Harold Joachim.
  • The Art Institute of Chicago, "Italian drawings in the Art Institute of Chicago," Apr. 17-July 31, 1980, cat. 4, pl. 6-7; also Washington DC, the National Gallery of Art.
  • The Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," Apr. 10-July 22, 1997 (recto and verso).
  • Washington DC, The National Gallery of Art, "Vittore Carpaccio: Master Storyteller of Renaissance Venice", November 14, 2022 - February 12, 2023, pp. 244, 246 (verso, fig 1. ill.), 247 (recto, ill.), cat. 61, cat. by Peter Humfrey, et. al.

Literature

Published references

  • A. Popham, "The Drawings at the Burlington Fine Arts Club," Burlington Magazine, LXX (February 1937), pp. 87-88 (recto and verso)
  • Hans Tietze and E. Tietze-Conrat, The Drawings of the Venetian Painters of the15th and 16th Centuries (New York, 1944), pp. 143, 153, no. 618, pl. 16 and 22.
  • G. Fiocco, Carpaccio (1958), p. 29, no. 3 (ill.) (recto and verso).
  • Rodolfo Pallucchini, I teleri del Carpaccio in San Giorgio degli Schiavoni (Milan, 1961), p. 49 (recto and verso).
  • Jan Lauts, Carpaccio: Paintings and Drawings (London, 1962), pp. 37, 257, 272, and 277, no. 31, pl. 120 (ill. recto and verso).
  • John Maxon, "A Sheet of Drawings by Carpaccio," The Art Institute of Chicago Quarterly, LVI (Winter 1962), pp. 62-64, (ill. recto and verso).
  • The Art Institute of Chicago Quarterly, 56 (Winter 1962-63), p. 63 (recto and verso).
  • Terisio Pignatti, "Review of Carpaccio: Paintings and Drawings by Jan Lauts," Master Drawings, 1 (Winter 1963), p. 53 (recto and verso).
  • Guido Perocco, Carpaccio nella Scuola di S. Giorgio degli Schiavoni (Venice, 1964), p. 79 (ill. verso).
  • Michelangelo Muraro, Carpaccio (Florence, 1966), p. 109.
  • Manlio Cancogni and Guido Perocco, L’opera completa del Carpaccio (Milan, 1967).
  • Harold Joachim, compiled by Suzanne Folds McCullagh and Sandra Haller Olsen, Italian Drawings of the 15th, 16th, and 17th Centuries (Chicago, Art Institute of Chicago:, 1979), nos. 2A1-2.

Comparables

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