Sunlight

1. The artist, Pasadena, CA; sold to the Friends of American Art, Art Institute of Chicago, 1915; given to the Art Institute of Chicago, 1915.

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/4752/american-painting-and-sculpture-28th-annual"><em>Twenty-Eighth Annual Exhibition of American Oil Paintings and Sculpture</em></a>, Nov. 16, 1915–Jan. 2, 1916, cat. 222.
• Milwaukee Art Institute, <em>An Exhibition of Forty Paintings Presented to the Art Institute of Chicago by the Friends of American Art</em>, Mar. 1–29, 1925, cat. 27.
• Chicago, Garfield Park Art Galleries, <a href="https://www.artic.edu/exhibitions/5706/garfield-park-art-galleries-exhibition-of-greek-sculptures-and-american-paintings"><em>Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago</em></a>, Nov. 5, 1935–Mar. 3, 1936, cat. 15.
• Champaign, University of Illinois, Architecture Building Gallery, <em>American Paintings from the Permanent Collection of the Art Institute of Chicago</em>, Dec. 3–29, 1939, no cat.
• Kalamazoo, MI, Civic Theatre, <em>Paintings from the Friends of American Art Collection,</em> Dec. 27, 1944–Feb. 27, 1945, no cat. (organized by the Kalamazoo Institute of Art).
• St. Louis Artists' Guild, <em>Richard E. Miller Memorial Exhibtion</em>, –Feb. 6, 1957, no cat.
• St. Louis Art Museum, <em>Richard E. Miller, American Impressionist</em>, Sept. 9–Oct. 26, 1986, no cat.

• <em>Catalogue of the Twenty-Eighth Annual Exhibition of American Oil Paintings and Sculpture</em>, exh. cat. (Art Institute of Chicago, 1915), n.p., cat. 222.
• “Coming Exhibitions”, <em>Bulletin of the Art Institute of Chicago</em> 10, no. 1 (1916): 122–24 (ill.), <a href="http://www.jstor.org/stable/4102633">https://www.jstor.org/stable/4102633</a>.
• <em>Friends of American Art Yearbook, 1914–1915</em>, 5th ed. (1916), 23, 92, 94, 183.
• George William Eggers, <em>Handbook of Sculpture, Architecture, Paintings, and Drawings: Part II: Paintings and Drawings</em>, vol. 2 (Art Institute of Chicago, 1920), 44, cat. 405, <a href="https://hdl.handle.net/2027/mdp.39015036764952">https://hdl.handle.net/2027/mdp.39015036764952</a>.
• Robert B. Harshe, <em>Handbook of Sculpture, Architecture and Paintings: Part II: Paintings</em>, vol. 2 (Art Institute of Chicago, 1922), 46, cat. 405, <a href="https://hdl.handle.net/2027/uva.x006053578">https://hdl.handle.net/2027/uva.x006053578</a>.
• Milwaukee Art Institute, <em>Catalogue of an Exhibition of Forty Paintings Presented to the Art Institute of Chicago by the Friends of American Art</em>, exh. cat. (Milwaukee Art Institute, 1925), n.p., cat. 27.
• Robert J. Dunham, <em>Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago</em>, exh. cat. (Chicago Park District, 1935), n.p., cat. 15.
• Judith A. Barter, et al., <em>The Age of American Impressionism: Masterpieces from the Art Institute of Chicago</em> (Art Institute of Chicago, 2011), 130, cat. 74 (ill.).

Untitled

Art Institute of Chicago

The Elliott Room (Charter Series)

Art Institute of Chicago

Samovar

Art Institute of Chicago

Fragments (Border)

Art Institute of Chicago

Altar Set

Art Institute of Chicago

Frederick Douglass

Art Institute of Chicago

Head of Executioner, from John Evelyn's Sculptura

Art Institute of Chicago

Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374)

Art Institute of Chicago

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