Susanna and the Elders in the Garden, and the Trial of Susanna before the Elders by Master of Apollo and Daphne
Art Institute of ChicagoPublic domain

Susanna and the Elders in the Garden, and the Trial of Susanna before the Elders

Master of Apollo and Daphne · c. 1500

Provenance

Ownership history

  1. Trotti and Company, Paris, by 1915 [see Paul Schubring, 1915, p. 301]; sold by the Ehrich Galleries, New York, to Martin A. Ryerson (d. 1932), Chicago, 1917 [entry in Ryerson’s notebook, April 24, 1917, see Ryerson Papers, Archives, The Art Institute of Chicago; receipt of payment dated May 8, 1917 in curatorial file]; on loan to the Art Institute of Chicago from 1917; bequeathed to the Art Institute, 1933.

Recorded by Art Institute of Chicago.

Literature

Published references

  • Paul Schubring, Cassoni: Truhen und Truhenbilder der italienischen Frührenaissance (Leipzig, 1915), vol. 1, pp. 301–02, nos. 351 and 352, vol. 2, pl. 83, nos. 351 and 352.
  • Paul Erich Küppers, Die Tafelbilder des Domenico Ghirlandajo (Strasbourg, 1916), p. 85.
  • American Art News 15, 33 (1917), p. 7, ills.
  • The Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture, and Architecture (Chicago, August 1917), p. 166.
  • The Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago, August 1920), p.64.
  • The Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago, May 1922), p. 73.
  • The Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago, 1923), p. 73.
  • Gustave Emile Kaltenbach, “Cassoni,” American Magazine of Art 14, 10 (October 1923), pp. 598, ills, 599.
  • The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1925), p. 160, nos. 2072–73.
  • Rose Mary Fischkin, Martin A. Ryerson Collection of Paintings and Sculpture, XIII to XVIII Century, Loaned to The Art Institute of Chicago, unpub. MS, 1926 Ryerson Library, The Art Institute of Chicago, pp. 20–22.
  • Raimond Van Marle, The Development of the Italian Schools of Painting, (The Hague, 1931), vol. 12, p. 409, vol. 13, p. 234.
  • The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1932), p. 182.

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