Art Institute of ChicagoPublic domain
Suspension Bell (Bo) 东周时期青铜镈
Unattributed · Eastern Zhou dynasty (770–256 B.C.), first half of 5th century B.C.
Provenance
Ownership history
- C. T. Loo and Company, New York; sold to the Art Institute of Chicago, Dec. 3, 1938.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Osaka, Museum of Oriental Ceramics, <em>Chicago Bijutsukan Meihinten: Masterpieces of Chinese Arts from the Art Institute of Chicago</em>, 1989, cat. 9; Atami, MOA Museum of Art; Tokyo, Idemitsu Museum of Art.
Literature
Published references
- <em>A Picture Book of Chinese Bronzes in the Collections of the Art Institute of Chicago</em> (Art Institute of Chicago, 1940), 8.
- Charles Fabens Kelley and Ch’en Meng-chia, <em>Chinese Bronzes from the Buckingham Collection</em> (Art Institute of Chicago; Lakeside Press, R. R. Donnelley & Sons, 1946), 80, 258–59, pls. 44–46.
- George W. Weber Jr., <em>The Ornaments of Late Chou Bronzes: A Method of Analysis</em> (Rutgers University Press, 1973), 252–60, pl. 53.
- Lothar Alexander von Falkenhausen, "Ritual Music in Bronze Age China: An Archaeological Perspective," PhD diss., Harvard University, 1988, 504–5.
- <em>Chicago Bijutsukan Meihenten: Masterpieces of Chinese Arts from the Art Institute of Chicago</em>, exh. cat. (Museum of Oriental Ceramics, Osaka; also exhibited at MOA Museum of Art, Atami; Idemitsu Museum of Art, Tokyo, 1989), cat. 9.
- Colin Mackenzie, “Adaptation and Invention: Chinese Bronzes of the Eastern Zhou and Han Periods,” <em>Orientations</em> 24, 6 (June 1993), 59–71, fig. 9.
- Elinor Pearlstein and James T. Ulak, <em>Asian Art in the Art Institute of Chicago</em> (Art Institute of Chicago; Harry N. Abrams, 1993), 22–24 (ill.).
- Elinor Pearlstein, “Bell (Bo cheng),” in <em>The Silk Road and Beyond: Travel, Trade, and Transformation</em> (Art Institute of Chicago, 2007), 81–82, ill. 82.
Research assistant