That Which I Should Have Done I Did Not Do (The Door) by Ivan Albright
Art Institute of Chicago

That Which I Should Have Done I Did Not Do (The Door)

Ivan Albright · 1931–41

Provenance

Ownership history

  1. Ivan Albright, from 1941 to 1955; partially exchanged for <a href="https://www.artic.edu/artworks/9535"><em>Heavy the Oar to Him Who Is Tired, Heavy the Coat, Heavy the Sea</em></a> (then 1949.961, now 1959.12), <a href="https://www.artic.edu/artworks/93811"><em>Into the World There Came a Soul Called Ida</em></a> (then 1947.519, now 1977.34), and <a href="https://www.artic.edu/artworks/93809"><em>Oh God, Herrings, Buoys, the Glittering Sea</em></a> (then 1941.828, now 1977.32) and sold to the Art Institute of Chicago, 1955.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Pittsburgh, Carnegie Institute, <em>1938 International Exhibition of Paintings</em>, Oct. 13–Dec. 4, 1938, cat. 2.
  • Washington, DC, Corcoran Gallery of Art, <em>Seventeenth Biennial Exhibition of Contemporary American Oil Paintings</em>, Mar. 23–May 4, 1941, p. 43, cat. 48.
  • Art Institute of Chicago, <em>Fifty–Second Annual Exhibition of American Paintings and Sculpture</em>, Oct. 30, 1941–Jan. 4, 1942, cat. 2, pl. 7.
  • New York, Metropolitan Museum of Art, <em>Artists for Victory: An Exhibition of Contemporary American Art</em>, Dec. 7, 1942–Feb. 22, 1943, no cat. no., as <em>That Which I Should Have Done, I Did Not Do</em>.
  • New York, Museum of Modern Art, <em>American Realists and Magic Realists</em>, Feb. 10–Mar. 21, 1943, p. 63, cat. 34; Buffalo, Albright Gallery, Apr. 5–May 5; Minneapolis Institute of Arts, July 1–30; San Francisco Museum of Art, Aug. 23–Sept. 19; Art Gallery of Toronto, Nov. 12–Dec. 19; Cleveland Museum of Art, Jan. 1–29, 1944.
  • New York, Museum of Modern Art, <em>Art in Progress</em>, May 24–Oct. 8, 1944, 109, 218 (ill.).
  • New York, Associated American Artists Galleries, <em>The Albright Twins</em>, Oct. 22–Nov. 10, 1945, cat. 1.
  • Chicago, Associated American Artists Galleries, <em>The Albright Twins First Joint Chicago Exhibition</em>, Mar. 29–Apr. 17, 1946, cat. 2.
  • London, Tate Gallery, <em>American Painting</em>, June 1–July 31, 1946, p. 9, cat. 1.
  • Paris, Musée National d’art Moderne, <em>12 peintres et sculpteurs: Américains contemporains</em>, Apr–June 1953, cat. 3.
  • Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/4071/two-centuries-of-american-art-1750-1950"><em>Two Centuries of American Art, 1750-1950</em></a>, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].
  • City Art Museum of St. Louis, <em>200 Years of American Painting</em>, Apr. 1–May 31, 1964, p. 44 (ill.).

Literature

Published references

  • Manny Farber, “Artists for Victory: Metropolitan Museum of Art Opens Great Exhibition for American Artists,” <em>Magazine of Art</em> 35, 8 (Dec. 1942): 276–77 (ill.).
  • A. Hyatt Mayor, "The Artists for Victory Exhibition," <em>The Metropolitan Museum of Art Bulletin</em> (Dec. 1942): 142 (ill.), as <em>That Which I Should Have Done, I Did Not Do</em>.
  • Edward Alden Jewell, "'Artists for Victory': Metropolitan Opens Tomorrow the Huge American Survey," <em>The New York Times</em>, Dec. 6, 1942, 259, as <em>That Which I Should Have Done I Did Not Do</em>.
  • "Record Art Show Has $52,000 Prizes: Artists for Victory Display at Metropolitan Museum Totals 918 Exhibits," <em>The New York Times</em>, Dec. 7, 1942, 30 (ill.), as <em>That Which I Should Have Done, I Did Not Do</em>.
  • "Metropolitan Opens Artists for Victory Exhibition," <em>New York Herald Tribune</em>, Dec. 8, 1942, as <em>That Which I Should Have Done, I Did Not Do</em>.
  • Edward Alden Jewell, "Artists for Victory: Afterthoughts on the Huge Nation-Wide Survey at the Metropolitan Museum," <em>The New York Times</em>, Dec. 20, 1942, 150, as <em>That Which I Should Have Done, I Did Not Do</em>.
  • Alfred M. Frankfurter, "The Artists for Victory Exhibition: The Paintings," <em>Art News</em> 41, 16 (Jan. 1-14, 1943): 9 (ill.), 11, as <em>That Which I Should Have Done, I Did Not Do</em>.
  • Daniel Catton Rich, “Ivan Le Lorraine Albright: Our Own Jeremiah,” <em>Magazine of Art</em> 36, 2 (Feb. 1943), 49–51 (ill.).
  • Associated American Artists, <em>The Albright Twins: First Joint Chicago Exhibition</em>, exh. cat. (Associated American Artists, 1946), cat. 2.
  • Margaret S. Marble [Margaret Sharp], <em>The Lady Forgot</em> (Harper, 1947), 208–209.
  • Frederick A. Sweet, <em>Ivan Albright: A Retrospective Exhibition</em>, exh. cat. (Art Institute of Chicago, 1964), 34, 37, cat. 18 (ill.).
  • Art Institute of Chicago, <em>Works by Ivan L. Albright from the Collection</em>, exh. cat. (Art Institute of Chicago, 1978), cat. 12 (ill.).

Comparables

Related holdings by the same hand

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