The Adoration of the Christ Child

1. Spanish Art Gallery, London, by 1914 to at least 1916 [Steinbart 1922, p. 72; and Conway 1921]. Dr. John E. Stillwell, New York, by 1922[Steinbart 1922, p. 72]; sold, American Art Association, Anderson Galleries, New York, Dec. 1–3, 1927, no. 217, to Clapp and Graham as agent for Harding, for $10,250 [Art News 1927, p. 12]; George F. Harding, Jr. (d. 1939), Chicago; bequeathed to the George F. Harding Museum, Chicago; offered for sale, Sotheby’s, New York, Dec. 2, 1976, no. 210, withdrawn; ownership transferred to the Art Institute, 1982; accessioned, 1983.

Recorded by Art Institute of Chicago.

• Saint Paul (Minn.) Art Center, The Age of Belief, 1966–67, no. 3.
• Alkmaar, Netherlands, Alkmaar City Museum, Jacob Cornelisz. van Oostsanen: The Master and His Oeuvre, March 1–June 2, 2013.

• Martin Conway, The Van Eycks and Their Followers, London, 1921, p. 458.
• Kurt Steinbart, Die Tafelgemälde des Jakob Cornelisz von Amsterdam, Strasbourg, 1922, pp. 72–77, 157, pl. 6, fig. 1.
• G.F.M., “New York Has Its Hidden Collections,” Art News 21, 21 (1923), p. 7.
• J. Six, “Jan van Hout, Cornelis Buys en Jacob Cornelisz.,” Oud Holland 42 (1925), p. 26.
• “Pictures Bring Best Prices in Stillwell Sale,” Art News 26, 10 (1927), pp. 1, 12.
• Max J. Friedländer, Die altniederländische Malerei, vol. 12, Leiden, 1935, p. 195, no. 254, pl. 51; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, 1975, pp. 116, 144 n. 92, no. 254, pl. 142.
• Max J. Friedländer, Die altniederländische Malerei, vol. 14, Leiden, 1937, p. 124; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, vol. 11, 1974, p. 102.
• G. J. Hoogewerff, De Noord-nederlandsche schilderkunst, vol. 3, The Hague,1939, p. 111.
• Jaap Leeuwenberg, “Twee teruggevonden werken van Jacob Cornelisz. van Oostsanen,” Maandblad voor beeldende kunsten 20 (1943), p. 161.
• Denise Fallon, “Une Intervention d’Adriaen Ysenbrant ou de son atelier dans un triptyque maniériste de 1520, conservé à Bruges,” Bulletin: Institut royal du patrimoine artistique 19 (1982–83), p. 134.
• Jane L. Carroll, “The Paintings of Jacob Cornelisz. van Oostsanen (1472–1533),” Ph.D. diss., University of North Carolina, Chapel Hill, 1987 (Ann Arbor, Mich., University Microfilms, 1988), pp. 204–05, under cat. 4.
• Art Institute of Chicago, Glad Tidings of Great Joy, Chicago, 1993, pp. 22–23, 25 (ill.), 39.

The Virgin and Saint John the Evangelist

Art Institute of Chicago

Saint Matthias (?) and a Donor (recto); Saint Andrew (verso)

Art Institute of Chicago

Saint Peter and a Donor (recto); Saint Thomas (verso)

Art Institute of Chicago

Landscape with the Ruins of the Castle of Egmond

Art Institute of Chicago

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

Art Institute of Chicago

Mordechai Overhears the Conspiracy from the Story of Esther

Art Institute of Chicago

The Wedding

Art Institute of Chicago

Cottage at the Top of a Hill

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.