The Artist in His Studio

1. The artist, Paris, then London; consigned to Goupil Gallery, London, December 1896; sold to Douglas William Freshfield (1845–1934), London, by October 1897; with Brown & Phillips, London, sold to P. & D. Colnaghi and Obach, London, by 1911; partial share sold to M. Knoedler & Co., New York, August 24, 1911; probably consigned to Henry Reinhardt Galleries, New York and Chicago, 1911; sold to the Friends of American Art, Art Institute of Chicago, 1912; given to the Art Institute of Chicago, 1912.

Recorded by Art Institute of Chicago.

• Milwaukee Art Institute, <em>An Exhibition of Forty Paintings Presented to the Art Institute of Chicago by the Friends of American Art</em>, Mar. 1–29, 1925, cat. 40, as <em>In the Studio</em>.
• Art Institute of Chicago, <em>Summer Exhibitions</em>, July 20–Oct. 29, 1939, cat. 1.
• WI, Milwaukee Art Institute, <em>Nineteenth Century American Masters</em>, Feb. 20–Mar. 28, 1948, no cat.
• IL, Durand Art Institute, Lake Forest College, <em>A Century of American Painting: Masterpieces Loaned by The Art Institute of Chicago</em>, June 10–16, 1957, no. 2, as <em>The Artist in the Studio</em>.
• Art Institute of Chicago, <em>Whistler's Mother: An American Icon Returns to Chicago</em>, Mar. 4–May 21, 2017, no cat.
• London, Royal Academy of Arts, <em>The Woman in White: Joanna Hiffernan and James McNeill Whistler</em>, Feb. 23–May 23, 2022; Washington, DC, National Gallery of Art, July 3–Oct. 10, 2022, cat. (ill. pl. 38).

• George William Eggers, <em>Art Institute of Chicago General Catalogue of Paintings, Sculpture and Other Objects in the Museum</em> (Art Institute of Chicago, 1917), 153, cat. 433 (ill.), as <em>In the Studio</em>, <a href="https://hdl.handle.net/2027/gri.ark:/13960/t59c9q90w"> https://hdl.handle.net/2027/gri.ark:/13960/t59c9q90w</a>.
• Milwaukee Art Institute, <em>Catalogue of an Exhibition of Forty Paintings Presented to the Art Institute of Chicago by the Friends of American Art</em>, exh. cat. (Milwaukee Art Institute, 1925), n.p., cat. 40, as <em>In the Studio</em>.
• Judith A. Barter, et al., <em>The Age of American Impressionism: Masterpieces from the Art Institute of Chicago</em> (Art Institute of Chicago, 2011), cat. 11.
• Margaret F. MacDonald and Grischka Petri, "The Artist in His Studio (Whistler in His Studio)," <em>The Paintings of James McNeill Whistler: A Catalogue Raisonné</em>, University of Glasgow, accessed June 3, 2020, cat. YMSM 063 (ill.), as <em>The Artist in His Studio (Whistler in His Studio)</em>,<a href="https://www.whistlerpaintings.gla.ac.uk/catalogue/display/?mid=y063&xml=dat"> https://whistlerpaintings.gla.ac.uk/catalogue/display/?mid=y063</a>.
• Jay A. Clarke and Sarah Kelly Oehler, eds., <em>Whistler Paintings and Drawings at the Art Institute of Chicago</em> (Art Institute of Chicago, 2020), cat. 8 (ill.), <a href="http://artic.edu/digitalwhistler">http://artic.edu/digitalwhistler</a>.
• Carol Jacobi, ed., <em>James McNeill Whistler</em>, exh. cat. (Tate Enterprises, 2026), 14, 68, 71, 74, 156, 158, no cat. no. (ill.).

Nocturne: Blue and Gold—Southampton Water

Art Institute of Chicago

Butterfly

Art Institute of Chicago

Design cover for West Point Song of the Graduates

Art Institute of Chicago

Coast Scene, Bathers

Art Institute of Chicago

Grey and Silver: Old Battersea Reach

Art Institute of Chicago

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy

Art Institute of Chicago

Butterfly

Art Institute of Chicago

Violet and Silver—The Deep Sea

Art Institute of Chicago

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