The Banquet

1. Alexander Iolas [according to a letter from Grace Hokin to Adam Jolles, Feb. 2, 1995, in curatorial files]; sold through B.C. Holland-Goldowsky Gallery, Chicago, to Lindy and Edwin Bergman, Chicago, 1961; given to the Art Institute of Chicago, 1991.

Recorded by Art Institute of Chicago.

• Charleroi, Palais des Beaux-Arts, XXXIIe Salon [du] cercle royal artistique et littéraire de Charleroi, 1958, cat. 151.
• New York, Alexander Iolas Gallery, René Magritte, Mar. 2–28, 1959, no cat.
• Little Rock, Arkansas Arts Center, Magritte, May 15–June 30, 1964, no cat. no.
• Chicago, The Renaissance Society, Magritte, Mar. 1–Apr. 10, 1964, cat. 1.
• New York, Museum of Modern Art, René Magritte, Dec. 15, 1965–Feb. 27, 1966, cat. 66; traveled to Waltham, MA, Rose Art Museum, Brandeis University, Apr. 3–May 1, 1966; Art Institute of Chicago, May 30–July 3, 1966; Pasadena Art Museum, Aug. 1–Sept. 4, 1966; and Berkeley, CA, University Art Museum, University of California, Oct. 1–Nov. 1, 1966.
• Chicago, Museum of Contemporary Art, Dada and Surrealism in Chicago Collections, Dec. 1, 1984–Jan. 27, 1985, no cat. no.
• London, Hayward Gallery, Southbank Centre, Rene Magritte, not in cat.; New York, Metropolitan Museum of Art, Sept. 9–Nov. 22, 1992; Houston, Menil Collection, Dec. 15, 1992–Feb. 21, 1993; Chicago, Art Institute, Mar. 16–May 30, 1993 [Chicago only].

• James R. Mellow, “In the Galleries: Magritte,” Arts 32.8 (1958), p. 58.
• Sidney TIllim, “In the Galleries: René Magritte,” Arts 33.7 (1959), p. 51 (ill.).
• Anthony Bower, “Another Aspect of Little Rock,” Art in America 52.6 (1964), p. 138 (installation photo).
• Possibly Henri Michaux, “En rêvant à partir de peintures énigmatiques,” Mercure de France 352.1214 (Dec. 1964), p. 596.
• Magritte (Little Rock: Arkansas Arts Center, 1964), n.p. (ill.).
• James Thrall Soby, ed., René Magritte (New York, Museum of Modern Art, 1965), cat. 66 (ill.).
• Hernan Galilea, La Poesía superrealista de Vicente Aleixandre (Santiago de Chile: Centro de Investigaciones de Literatura Comparada, Universidad de Chile, 1971), pp. 37, 147 (ill.)
• Architectural Digest 1973, p. 22 (photo of Bergman home).
• Saturday Review 1980, p. 28 (photo of Bergman home).
• Terry Ann R. Neff, ed., with essays by Dawn Ades, et. al., In the Mind’s Eye: Dada and Surrealism Chicago (Chicago: Museum of Contemporary Art, 1985), pp. 170–71, pl. 41.
• Lori Rotenberk, “A Surrealist Treasure Finds New Home at Art Institute,” Chicago Sun-Times (Nov. 7, 1991), p. 20 (installation photo).
• David Sylvester and Sarah Whitfield, René Magritte: Catalogue raisonné, vol. 3 (Basel Wiese Verlag, 1993), p. 283, cat. 868 (ill.), and pp. 87, 93, 280, 297.

La durée poignardée (Time Transfixed)

Art Institute of Chicago

On the Threshold of Liberty

Art Institute of Chicago

The Tune and Also the Words

Art Institute of Chicago

Homesickness

Art Institute of Chicago

The Eye

Art Institute of Chicago

Untitled (Woman-Bottle)

Art Institute of Chicago

The Balcony

Art Institute of Chicago

The White Race

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.