The Basket of Apples

1. Ambroise Vollard (1866–1939), Paris by Nov. 1895 [this and the following information according to New York 2006-7]; Galerie Bernheim-Jeune, Paris [Bernheim-Jeune archive; 5538?]. Paul Cassirer, Berlin, June 1, 1904 [Paul Cassirer archive 5775 (5538)]; Max Linde, Lübeck, Germany, June 1, 1904. Galerie Bernheim-Jeune, Paris, by July 1907; sent to Paul Cassirer, Berlin, July 1907; returned to Bernheim-Jeune, Paris, Nov. 1908. Jos Hessel (1859–1942), Paris, by 1913 until at least 1920 [based on inscription on reverse; see also New York Times 1913, Borgmeyer 1913, Paris 1920]. Paul Rosenberg, Paris, by 1922 [see Paris 1922]; sold through Joseph Stransky of French Galleries, New York to Frederick Clay Bartlett (1873–1593), Chicago , by 1925; given to the Art Institute of Chicago, 1926.

Recorded by Art Institute of Chicago.

• Paris, Galerie Vollard, Cézanne, Nov–Dec. 1895, no cat.
• Berlin, Paul Cassirer, Sonderausstellung Paul Cézanne, Apr. 22–June 15, 1904, no cat. , as Korb mit Äpfeln.
• Berlin, Paul Cassirer, XI. Jahrgang, Winter 1908/1909, II. Ausstellung, Oct. 15–Nov. 10, 1908, cat. 17, as Apfel, Flasche und Kuchen.
• Paris, Manzi, Joyant & Cie, Exposition d’art moderne, June 6–July 6, 1912, cat. 3, as Pommes.
• Paris, Paul Rosenberg, Art français du XIXe siècle au profit de l’Association Générale des mutilés de la guerre, June 25–July 13, 1917, cat. 5, as Corbeille de pommes.
• Paris, Galerie Paul Rosenberg, L’art français au XIXe siècle, 1919, no cat.
• Paris, Galerie Bernheim-Jeune, Cézanne, Dec. 1–18, 1920, cat. 28, as Les Pommes.
• Paris, Paul Rosenberg, Exposition d’oeuvres de grands maîtres du siècle dix-neuvième siècle, May 3–June 3, 1922, cat. 9, as Le panier de pommes, 1885.
• Paris, Galerie Bernheim-Jeune, Exposition Paul Cézanne (au profit de la caisse du monument Cézanne), Mar. 3–24, 1924, no cat.
• Minneapolis Institute of Art, Modern French Paintings from the Birch-Bartlett Collection, Apr. 1925, no cat..
• Cambridge, MA, Fogg Art Museum, French Painting of the Nineteenth and Twentieth Centuries, Mar. 6–Apr. 6, 1929, cat. 6 (ill.), as La Corbeille de pommes.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June1–Nov. 1, 1933, cat. 305.

• Emile Bernard, “Erinnerungen an Paul Cezanne,” Kunst und Künstler 6 (1908), p. 521 (ill.).
• Julius Meier-Greafe, Paul Cézanne (Munich, 1910), p. 79 (ill.).
• C. L. Hind, The Post-Impressionists (London, 1911), p. 74.
• Frederick Lawton, “Paul Cézanne,” Art Journal (1911), p. 57 (ill.).
• Werner Weisbach, Impressionismus: Ein Problem der Malerei in der Antike und Neuzeit vol. 2 (Berlin, 1911), p. 162.
• Arsène Alexandre, “Exposition d’art moderne,” Les Arts (August 1912), p. 7, no. 6.
• “A Private Collection in Germany That Contains Fourteen Examples of the Art of Paul Cezanne, a Great Modern, Who Already Is Placed with the Old Masters,” New York Times (July 6, 1913), p. 15 (ill.).
• Charles Borgmeyer, The Master Impressionists (Chicago, 1913), p. 230 (ill.).
• Julius Meier-Graefe, Paul Cézanne (Munich, 1913), p. 76.
• Ambroise Vollard, Cézanne (Paris, 1914), p. 102, pl. 33.
• Stuart, “Cézanne and His Place in Impressionism,” The Fine Arts Journal 35, 5 (May 1917), p. 335 (ill.).
• C. Coquiot, Paul Cézanne (1919), p. 246.

Trees and Houses Near the Jas de Bouffan

The Metropolitan Museum of Art

Still Life with Apples and a Pot of Primroses

The Metropolitan Museum of Art

The Card Players

The Metropolitan Museum of Art

Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress

The Metropolitan Museum of Art

View of the Domaine Saint-Joseph

The Metropolitan Museum of Art

Mont Sainte-Victoire and the Viaduct of the Arc River Valley

The Metropolitan Museum of Art

Seated Peasant

The Metropolitan Museum of Art

The Gulf of Marseille Seen from L'Estaque

The Metropolitan Museum of Art

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