
Art Institute of Chicago
The Blue Forest
Max Ernst · 1925
Provenance
Ownership history
- The artist; Katherine S. Dreier (1877–1952), New York, later West Redding and Milford, CT, likely purchased directly from the artist, by 1927 and until 1952 [New York, 1927 and New Haven, 1952]. Galerie Jan Krugier, Geneva, by 1976 [Cologne 1976]; Galerie Isy Brachot, Brussels, 1977 [Paris 1977]; sold to private collection, Paris [correspondence with Galerie Isy Brachot in curatorial object file], c. 1985. Galerie Jacques Benador, Geneva, by 1988; purchased by the Art Institute of Chicago, 1988 [invoice in curatorial file].
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Brussels, Galerie Isy Brachot, Max Ernst: Peintures, sculptures, collages, frottages, Mar. 12-Apr. 30, 1977, cat. 1.
- Paris, Musée d'art moderne de la Ville de Paris, L'Aventure de Pierre Loeb, La Galerie Pierre, Paris, 1924-1964, June 7-Sept. 16, 1979, cat. 55; Brussels, Musée d'Ixelles, Oct. 4-Dec. 23, 1979, as La Forêt.
- Fort Worth, Kimbell Art Museum, The Age of Picasso and Matisse: Modern Masters from The Art Institute of Chicago, Oct. 6, 2013-Feb. 16, 2014, no cat. no.
Literature
Published references
- Max Ernst: Peintures, sculptures, collages, frottages, exh. cat. (Brussels: Galerie Isy Brachot, 1977), front cover, cat. 1, as La Foret (color ill.).
- Bernadette Contensou and Jean Coquelet, eds., L'Aventure de Pierre Loeb, La Galerie Pierre, Paris, 1924-1964, exh. cat. (Paris: Musée d'art moderne de la Ville de Paris, 1979), n.p., pl. IV (color ill.), 66, cat. 55, as La Forêt.
- Edward Weisberger, ed., Surrealism, Two Private Eyes: The Nesuhi Ertegun and Daniel Filipacchi Collections, exh. cat. (New York: Guggenheim Museum, 1999), 132-133, pl. 72 (color ill.).
- Stephanie D’Alessandro, ed., The Age of Picasso and Matisse: Modern Art at the Art Institute of Chicago, exh. cat. (Chicago: The Art Institute of Chicago, 2014), 10, 114 (color ill.).
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Research assistant