The Degradation of Haman before Ahasuerus and Esther by School of Rembrandt van Rijn
Art Institute of ChicagoPublic domain

The Degradation of Haman before Ahasuerus and Esther

School of Rembrandt van Rijn · 1630s

Provenance

Ownership history

  1. 15th Earl of Shrewsbury (1753–1827), Alton Towers, Staffordshire, England [Deering collection records].  Charles Deering (1852–1927), Chicago [stamp (Lugt 516) verso, lower left, in blue]; by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering; 1886–1965), Chicago and Mrs. Richard Ely Danielson (née Barbara Deering; 1885–1957), Chicago; given to the Art Institute of Chicago, 1927.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, Lent from American Collections, June 1–November 1, 1933, p. 86, cat. 805 (as Arent de Gelder).
  • Art Institute of Chicago, [Loan Exhibition of] Paintings, Drawings, and Etchings by Rembrandt and His Circle, Dec. 19, 1935–Jan. 19, p. 38–39, cat. 49 (as Arent de Gelder).
  • Worcester Art Museum, Rembrandt and his Circle, A Loan Exhibition of Paintings, Drawings, and Etchings, Feb. 4–Mar. 1, 1936, p. 44, no. 49 (as Arent de Gelder).
  • The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 65, 67 (ill.), 310, 334, cat. 18, cat. by Victoria Sancho Lobis, et. al.

Literature

Published references

  • W. McC. McK. “Drawings from the Charles Deering Collection,” Bulletin of the Art Institute of Chicago XXII (May, 1928), p. 65 (as De Gelder)
  • Daniel Catton Rich, “Two Drawings of the Rembrandt School,” Bulletin of the Art Institute of Chicago XXIII: 5 (1929), p. 53–55 (ill.) (as Aert de Gelder?).
  • Hans Tietze, European Master Drawings in the United States (New York, 1947), pp. 150–151, no. 75 (ill.) (as Aert de Gelder).
  • Nathan Goldstein, The Art of Responsive Drawing, 5th ed. (Upper Saddle River, N. J., 1999), pp. 349–350, fig. 12.22.
  • Shelley Perlove and George S. Keyes (editors), Seventeenth-Century European Drawings in Midwestern Collections (South Bend Ind.: University of Notre Dame Press, 2014), pp. 174, no. 69, 175 (ill.) (as school of Rembrandt).

Comparables

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