The Denial of Saint Peter

1. Reedtz-Thott collection, Guanø Castle near Næstved, Denmark, by ca. 1750 [according to letter from Baron Otto Reedtz-Thott dated July 26, 2004 in curatorial file]; Baron Kjeld Thor Tage Otto Reedtz -Thott (died 1923), 2nd Baron Guanø, Guanø Castle, Denmark by at least 1914; by decent to Baron Axel Reedtz-Thott, Guanø Castle, Denmark; sold by him to a London dealer in the late 1960’s [according to the letter from his son, Baron Otto Reedtz-Thott, cited above]. Wildenstein and Company, New York, by 1968; sold to the Art Institute in 1969.

Recorded by Art Institute of Chicago.

• Raleigh, North Carolina, North Carolina Museum of Art, Sinners and Saints, Darkness and Light: Caravaggio and His Dutch and Flemish Followers, September 27-December 13, 1998, pp. 107-110, cat. 14, cat. by Denis P. Weller et al.; traveled to Milwaukee, Wisconsin, Milwaukee Art Museum, January 29-April 18, 1999, and Dayton, Ohio, The Dayton Art Institute, May 8-July 18, 1999.

• Julius Lange, Baroniet Gaunos Malerisamling, Gavnø, 1876, no. 81.
• Karl Madsen and Otto Andrup, Fortegnelse over to hundrede af Baroniet Gaunos malerier af aeldre malere samt over dets portraetsamling, Copenhagen, 1914, p. 10, no. 12
• Karl Madsen, “Malerisamlingen paa Gaunø,” Kunstmuseets Aarsskrift 4 (1917), pp. 56-57.
• Hans Wentzel, “Unbekannte Werke von Terbrugghen in Dänemark und Schweden,” Die Kunst und das Schöne Heim 4 (January 1954), pp. 121 (ill.), 123.
• Benedict Nicolson, “The Rijksmuseum ‘Incredulity’ and Terbrugghen’s Chronology,” Burlington Magazine 98 (1956), pp. 109, 110.
• Benedict Nicolson, Hendrick Terbrugghen, London, 1958, pp. 5, 16, 18-19, 66-67, no. A 30, pl. 73.
• J. Richard Judson, Gerrit van Honthorst: A Discussion of his Position in Dutch Art, The Hague, 1959, p. 70.
• The Art Institute of Chicago Annual Report 1968-69, pp. 1, 6, 14, 17, front cover.
• Calendar of The Art Institute of Chicago, November 1969, vol. 63, no. 5, pp. 8, 9 (ill.).
• “Art Across America,” Apollo, 91 (1970), p. 245, fig. 8.
• “La chronique des arts” supplement to Gazette des Beaux-Arts, 6e pér., 75 (February, 1970), p. 59, fig. 278.
• Anna Ottani Cavina, “La Tour all’Orangerie e il suo primo tempo Caravaggesco,” Paragone, 23, no. 273 (1972), p. 11, fig. 8.

Aether, plate six from Demogorgon and the Deities

Art Institute of Chicago

The Dragon Devouring the Companions of Cadmus

Art Institute of Chicago

Hercules Killing Cacus

Art Institute of Chicago

Demogorgon in the Cave of Eternity, plate one from Demogorgon and the Deities

Art Institute of Chicago

Vries, Frederik de (died 1613) son of the painter Dirck de Vries, pupil of Goltzius, with Goltzius's dog

Art Institute of Chicago

The Physician Considered as God, plate one from Allegories of the Medical Profession.

Art Institute of Chicago

A Nude Female Figure Fleeing to the Right with Arms Outstretched, with Sketch of a Bust of Secondary Figure (recto); A Sketch of a Nude, Kneeling Female Figure, Supported by Another Standing (verso)

Art Institute of Chicago

The Standard Bearer, Turned to Left

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.