The Entombment of Christ

1. Jonathan Richardson, Jr. (1665-1745), London [Lugt 2170]. Sir Charles W. A. Oakeley (1825-1915), Tunbridge Wells, Kent, [inscription]; sold, Sotheby's, London, February 13, 1896, Oakeley Sale, lot 32, to Walker. W. Maxwell Bolton, Larchfield, Cheshire; sold, Sotheby's, London, July 8, 1964, lot 23, to Yvonne French. Mr. and Mrs. Hans M. Calmann, (1899-1982) London. Sold by John and Paul Herring and Company, Inc., New York, to the Art Institute, 1983.

Recorded by Art Institute of Chicago.

• Cleveland Museum of Art, "The Graphic Art of Federico Barocci," exh. cat. by Edmund P. Pillsbury and Louise S. Richards; Yale University Art Gallery, New Haven, 1978, pp. 63-64, cat. 40, ill. (as Barocci).
• Amsterdam, Rijksmuseum, Rijksprentenkabinet, "Italiaanse Tekeningen Il de 15de en 16de Eeuw," exh. cat. by L. C. J. Frerichs, 1981.
• The Art Institute of Chicago, "Great Drawings from The Art Institute of Chicago: The Harold Joachim Years 1958-1983," July 24-September 30, 1985, pp. 30-31, cat. 4 (ill.), cat. by Martha Tedeschi; traveled to the St. Louis Art Museum, March 10-May 16, 1986.
• The Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in the Art Institute of Chicago." April 10-July 22, 1997.

• Adolfo Venturi, Storia dell'Arte Italiana, vol. 9/7 (Milan, 1934).
• Alfredo Puerari, Raccolte artistiche: Catalogo Museo Civico Ala Ponzone, Cremona (Cremona, 1976).
• Lieneke C. J. Frerichs, "Twee grote werktekeningen van Federico Barocci, verworven voor het Rijksmuseum," Bulletin Van Het Rijksmuseum (1978), pp. 3-10.
• Brunella Teodori, "Aspetti del baroccismo perugino: Benedetto Bandiera, Felice e Vincenzo Pellegrini," Arte e Musica in Umbria tra Cinquecento e Seicento. Atti del XII Convegno di Studi Umbri. Gubbio - Gualdo Tadino, 30 November-2 December 1979 (Gubbio, 1981), pp. 275-99.
• Old Master Drawings from Chatsworth, Christie, Manson and Woods, London 1984.
• Diane De Grazia, "Refinement and Progression of Barocci's Entombment: The Chicago Modello," The Art Institute of Chicaogo Museum Studies 12 (1985), pp. 31-42.
• Diane De Grazia, 'Refinement and Progression of Barocci's Entombment: The Chicago Modello,' The Art Institute Museum Studies 12 (1985): 31-42.
• Marco Tanzi, "Qualche aggiunta al Malosso e alla sua cerchia," Prospettiva (1985), pp. 82-85.
• Edmund P. Pillsbury, 'Barocci at Bologna and Florence,' Master Drawings, 14, no. 1, (1986), pp. 56-64.
• Anna Fucili Bartolucci, "La Scuola Baroccesca, Claudio Ridolfi e i suoi epigoni," Arte e Cultura nella Provincia di Pesaro e Urbino dalle origini a oggi, ed. by Franco Battistelli (Venice, 1986).
• George R. Goldner, Lee Hendrix and Gloria Williams, European Drawings 1: Catalogue of the Collections, The J. Paul Getty Museum (Malibu, California, 1988).
• Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 17-18, no. 16 (ill.).

Christ Child: Study for the Madonna di San Giovanni

Art Institute of Chicago

The Vision of Saint Francis

Art Institute of Chicago

Head of the Swooning Virgin: Study for the Deposition (recot) Base of Column (verso)

Art Institute of Chicago

The Annunciation

Art Institute of Chicago

Saint Francis Receiving the Stigmata

Art Institute of Chicago

Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)

Art Institute of Chicago

Grove of Trees

Art Institute of Chicago

Rest on the Flight into Egypt

Art Institute of Chicago

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