The Freedman

1. Samuel L. Stone, Boston, mid-1940s; given by his wife to their son, Stephen Stone, Las Vegas, NV, by 1995 [purchased by Samuel Stone after 1945 and given to Stephen Stone following Samuel's death; according to letter from Stephen Stone, dated June 7, 1995, copy in curatorial object file]; sold, Sotheby's, New York, May 25, 1995, lot 177, to Conner-Rosenkranz, New York; sold to the Art Institute of Chicago, 1998.

Recorded by Art Institute of Chicago.

• Museum of Fine Arts, Houston, <em>Afro–Atlantic Histories</em>, Oct. 24, 2021–Jan. 17, 2022, no cat. no.; Washington, DC, National Gallery of Art, Apr. 10–July 17, 2022; Los Angeles County Museum of Art, Dec. 11, 2022–Sept. 10, 2023; Dallas Museum of Art, Oct. 22, 2023–Feb. 11, 2024 (Washington, DC, only).

• Lorado Taft, <em>The History of American Sculpture</em> (Macmillan, 1924), 220–21, 229.
• Judith A. Barter, et al., <em>American Arts at The Art Institute of Chicago: From Colonial Times to World War I</em> (Art Institute of Chicago, 1998), 193–195, cat. 88 (ill.).
• Clare Kunny and Andrew Walker, “Introduction,” <em>Art Institute of Chicago Museum Studies</em> 27, no. 1 (2001): 4–6.
• Angela Miller, “Albert Bierstadt, Landscape Aesthetics, and the Meanings of the West in the Civil War Era,” <em>Art Institute of Chicago Museum Studies</em> 27, no. 1 (2001): 40–41, 57–59.
• Kirk Savage, “Molding Emancipation: John Quincy Adams Ward’s The Freedman and the Meaning of the Civil War,” <em>Art Institute of Chicago Museum Studies</em> 27, no. 1 (2001): 26–39, fig. 2.
• Adriano Pedrosa, ed., <em>Afro-Atlantic Histories</em>, exh. cat. (DelMonico Books, 2021), no cat. no., fig. 85 (ill.).
• Thayer Tolles, "The Freedman in Multiple: A Look at Its Casting History," in <em>Emancipation: The Unfinished Project of Liberation</em>, ed. Margaret C. Adler, exh. cat. (Fort Worth, TX: Amon Carter Museum of American Art, 2023), 96–111 (another example ill.).

Brooklyn Bridge

Art Institute of Chicago

Moonrise, Hernandez, New Mexico

Art Institute of Chicago

Adam

Art Institute of Chicago

Portrait of Rosette Loewenstein

Art Institute of Chicago

Portrait of Annette Rosenshine

Art Institute of Chicago

A Romantic Landscape with a Ruined Castle

Art Institute of Chicago

Afternoon Sun, Crater Lake National Park, Oregon, No. 8 from "Portfolio Two: The National Parks and Monuments" (1950)

Art Institute of Chicago

Clearing Winter Storm, Yosemite National Park

Art Institute of Chicago

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