
The Holy Trinity
Marcantonio Raimondi · ca. 1500–27
Analyst brief
What the record supports
"The Holy Trinity" is an engraving by Marcantonio Raimondi, created between approximately 1500 and 1527. Measuring 8.4 x 5.1 cm (3 5/16 x 2 in.), it is classified as a print and held in the Drawings and Prints department of The Metropolitan Museum of Art. The piece was acquired in 1949 as part of The Elisha Whittelsey Collection, through The Elisha Whittelsey Fund.
Marcantonio Raimondi (1480–1534) was an Italian engraver and printmaker active in the 16th century. His known works include other engravings such as "The Judgment of Paris" (ca. 1510–20), "Adam and Eve flanked by two trees" (ca. 1512–14), and multiple variations of "A Bacchanal" (ca. 1510–13), all also held by The Metropolitan Museum of Art.
The provided data does not include information regarding the artwork's specific provenance, exhibition history, or any critical literature. The cultural context of the piece is also not specified in the catalogue record.
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Comparables
Related holdings by the same hand

The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
The Metropolitan Museum of Art

Adam and Eve flanked by two trees, a town in the background
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Descent from the Cross
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A Bacchanal, Silenus supported by two bacchants in the centre, at right a female satyr reclining on a bed and another pulling the horns on a statue of Priapus, various other figures fill the composition
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A Bacchanal; Silenus supported by two bacchants in the center, at left a female satyr reclining on a bed and another holding onto the horns on a statue of Priapus while she tries to impale herself on his phallus, with various other figures
The Metropolitan Museum of Art

Satyr and Nymph
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Standing Male Nude
The Metropolitan Museum of Art

Mars seated at the left, his left hand on Venus's shoulder, cupid beside her at the right
The Metropolitan Museum of Art
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