
Art Institute of ChicagoPublic domain
The Infants Jesus Christ and Saint John the Baptist Embracing
Joos van Cleve · 1520–25
Provenance
Ownership history
- Pompejus Occo (died 1537), Amsterdam. Spanish Art Gallery, London, 1949; sold to French and Co., New York, 1949 [according to Robert Samuels of French and Co., in conversation with Martha Wolff, March 31 and April 7, 1989]; sold to Ernest Joresco, Chicago, 1963 [according to Samuels, this took place on Dec. 21, 1963]; sold to the Art Institute, 1975.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Los Angeles County Museum of Art, Leonardo da Vinci Loan Exhibition, 1949, cat. 34.
- The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, 26 June—14 September 2008, no cat.
Literature
Published references
- Ilse Hecht, “The Infants Christ and Saint John Embracing: A Composition by Joos van Cleve,” AIC Bulletin 73 (1979), pp. 12–14, fig. 1.
- Bernard Huys and Sebastien A. C. Dudok van Heel, Occo Codex, Buren, 1979, pl. 5.
- Ilse Hecht, “The Infants Christ and Saint John Embracing: Notes on a Composition by Joos van Cleve,” Apollo 113 (1981), pp. 222–29, pl. 1.
- John David Farmer, “Bernard van Orley of Brussels,” Ph.D. diss., Princeton University, 1981, p. 135.
- Larry Silver, The Paintings of Quinten Massys with Catalogue Raisonné, Montclair, N.J., 1984, pp. 81, 180, 182, 188 n. 24, 190 n. 45, pl. 166.
- S[ebastian] A. C. Dudok van Heel, “Amsterdamse portretten uit de zestiende eeuw (V), Amstelodamum 73 (1986), p. 110 (ill.).
- John Oliver Hand, “Joos van Cleve’s Holy Family,” Currier Gallery of Art Bulletin (1989), pp. 17, 25 n. 26.
- Franco Moro, “Spunti sulla diffusione di un tema leonardesco tra Italia e Fiandra sino a Lanino,” in I leonardeschi a Milano: Fortuna e collezionismo, ed. Maria Teresa Fiorio and Pietro C. Marani, Milan, 1991, pp. 127–128, fig. 8.
- Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp, 1992, p. 343, no. 287 (ill.).
- C[arlo] P[edretti], “The Swedish Courier,” Achademia Leonardi Vinci 8 (1995), pp. 241–42.
- Larry Silver, “Kith and Kin: A Rediscovered Sacred Image by Massys,” in Shop Talk: Studies in Honor of Seymour Slive, Cambridge, Mass., 1995, p. 233, fig. 3.
- Jochen Sander, “Leonardo in Antwerpen: Joos van Cleves ‘Christus- und Johannesknabe, einander umarmend,’” Städel-Jahrbuch, n.s., 15 (1995), pp. 177, 183.
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