
Art Institute of ChicagoPublic domain
The Keeper of the Flock
Jean François Millet · 1871–74
Provenance
Ownership history
- The artist; his estate sale, Hôtel Drouot, Paris, May 10–11, 1875, lot 37 for 4,700 francs [price according to Soullié 1900]. Madame de la Hault, countess of Toict., Brussels [lent by her to Paris 1887]. Possibly Brame et Lorenceau, Paris, 1890 [according to an annotation in a copy of the 1914 sale catalogue, below]. Archibald Coats, Woodside, Paisley, by 1901 [lent to Glasgow 1901]; sold Christie’s, London, July 3, 1914, lot 110, to Knoedler & Co. for £5,880 as La gardienne du troupeau [buyer and price according to an annotated copy of the sale catalogue in the Getty Research Institute, Los Angeles]; Knoedler & Co.; sold to Roebel and Reinhardt Galleries, September 1914 for $62,500, probably acting as agents for Mrs. W. W. Kimball [according to the Knoedler & Co. stockbook 6, no. 13527]; Mrs. W. W. Kimball, by February 1915 [according to New York Times 1915]; bequeathed to the Art Institute, 1922.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Paris, L’École des beaux-arts, Peintures, aquarelles, pastels, dessins rehaussés, croquis et eaux-fortes de J.-F. Millet, 1887, no. 21.
- London, Lawrie and Company’s Galleries, Loan Collection of Pictures Principally of the French School of 1830, 1893, cat. 10.
- Glasgow, Kelvingrove Art Gallery, International Exhibition, 1901, cat. 1421.
- Art Institute of Chicago, Paintings Lent by Mrs. W. W. Kimball, July 1–October 24, 1920, no cat.
- Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1933, cat. 252.
- Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1934, cat. 199.
- Paris, Galeries Nationales du Grand Palais, Jean-François Millet, October 17, 1975–January 5, 1976, cat. 227; traveled to London, Hayward Gallery, January 22–March 7, 1976, cat. 140.
- Art Institute of Chicago, Art at the Time of the Centennial, June 19–August 8, 1976, no cat.
Literature
Published references
- Louis Soullié, Peintures, aquarelles, pastels, dessins de Jean-François Millet: relevés dans les catalogues de ventes de 1849 à 1900 (Paris: L. Soullié, 1900), p. 45.
- Alexandre Arsène, “Jean-François Millet,” in Charles Holmes, Corot and Millet (New York, J. Lane, 1903), pl. opp. p. M59 (ill.).
- “Buys a Millet Painting: Mrs. W. W. Kimball of Chicago Now Owner of ‘The Shepherdess’,” The New York Times (February 4, 1915), p. 9.
- “Current Exhibition,” Bulletin of the Art Institute of Chicago 14, 5 (1920), pp. 68 (ill.).
- Art Institute of Chicago, Handbook of Sculpture, Architecture, and Drawings (Chicago: Art Institute of Chicago, 1922), p. 64, cat. 759.
- Art Institute of Chicago, Handbook of Sculpture, Architecture, and Drawings (Chicago: Art Institute of Chicago, 1923), p. 64, cat. 759.
- “Millets in the Art Institute,” Bulletin of the Art Institute of Chicago 18, 7 (1924), p. 89.
- Marguerite B. Williams, “Valuable Collection of Paintings Added to Chicago’s Art Treasures,” America Today – Fort Dearborn Magazine (Mid-winter, 1924), p. 26.
- Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 146, no. 759.
- Rose Mary Fishkin, “Kimball Gallery of Paintings XVII to XIX Century, Art Institute of Chicago,” (unpub. MS, Ryerson Library, The Art Institute of Chicago, 1928), p. 17.
- Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 163.
- Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 314.
Comparables
Related holdings by the same hand

Geese in a Farmyard
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Peasants Going to Work
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Peasants Bringing Home a Calf Born in the Fields
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The Woodchopper
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In the Auvergne
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The Woodchopper
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The Little Shepherdess
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The Sheepshearers
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Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.
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