The Lamentation by Netherlandish
Art Institute of ChicagoPublic domain

The Lamentation

Netherlandish · c. 1500

Provenance

Ownership history

  1. Sold by the art dealer Harzen, Hamburg, to the Prince of Schaumberg-Lippe, as Rogier van der Weyden, 1828 [according to Alexander Perl, Fürstliche Schlossverwaltung, Bückeburg; letter to Martha Wolff, Jan. 16, 2003, in curatorial file]; sold to Rosenbaum, Frankfurt, Apr. 3, 1929 [letter of Alexander Perl cited above]; sold to Max Epstein (d. 1954), Chicago, 1929 [receipt in registrar’s records and photograph in the Friedländer Archive, R.K.D., The Hague annotated Rosenbaum / M. Epstein / Chicago]; bequeathed to the Art Institute, 1954.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Art Institute of Chicago, A Century of Progress, 1933, no. 30.
  • Art Institute of Chicago, A Century of Progress, 1934, no. 18.

Literature

Published references

  • V. C. Habicht, Das Schloss zu Bückeburg, Norddeutsche Kunstbücher 16, Wienhausen, 1928, p. 14, no. 1.
  • Alfred M. Frankfurter, “Art in the Century of Progress,” Fine Arts 20, 2 (1933), p. 61.
  • “The Rearrangement of the Painting Galleries,” Bulletin of the Art Institute of Chicago 27 (1933), p. 112 (ill.).
  • Hans Tietze, Meisterwerke europäische Malerei in Amerika, Vienna, 1935, p. 341, no. 245; 1939, p. 326, no. 245 (Eng. ed., Masterpieces of European Painting in America, New York, 1939).
  • Charles Sterling [Charles Jacques, pseud.], La Peinture française: Les Peintres du moyen âge, Paris, 1941, pp. 60–61, no. 30.
  • Maurice H. Goldblatt, “The ‘Master of Moulins’ Identified—Part II,” Connoisseur 122 (1948), p. 5, no. 16 (ill.).
  • Art Institute of Chicago Annual Report, 1954–55, pp. 9–10 (ill.).
  • Hans Huth, “A Lamentation of Christ in the Art Institute of Chicago,” Art Quarterly 18 (1955), pp. 213–15 (ill.).
  • The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, pp. 139 (ill.), 164–65.
  • John Maxon, The Art Institute of Chicago, London, 1970, pp. 250 (ill.), 280.
  • Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 155-8, ill.

Comparables

Related holdings by the same hand

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.

Research assistant

Ask about this record