The Miracle of the Ticino River

1. Unidentified collector, blindstamp “E.A.M.” [not in Lugt], recto, lower left in margin. With Edward A. and Inge Maser, Chicago, at least since 1956 [Wiles 1964, p. 406, note 1]; given to the Art Institute, 1997.

Recorded by Art Institute of Chicago.

• University of Chicago, Department of Art History, 1956.
• The Art Institute of Chicago, "Chicago Collectors," September 20-October 27, 1963, p. 5 (as preparatory drawing for the painting in the Cathedral of Milan, c. 1610).
• The St. Louis Art Museum, "Italian Drawings selected from Mid-Western Collections," February 25-April 16, 1972, cat. 22 (ill.), cat. by Nancy Ward Nielson.

• Bertha H. Wiles, "An Unpublished Design by Camillo Procaccini," Master Drawings, vol. 2, no. 4 (Winter, 1964), pp. 401-07 and 455 (ill.) (as preparatory drawing for the painting in the Pisani Chapel, in the church of San Nicolò dei Tolentini, Venice).
• Nancy Ward Nielson, Camillo Procaccini: Paintings and Drawings (New York and London, 1979), p. 130 (ill.).

The Annunciation

The Metropolitan Museum of Art

Angel with a Banderole

The Metropolitan Museum of Art

Martyrdom of a Female Saint (Agnes?)

The Metropolitan Museum of Art

The Birth of Saint Francis of Assisi

The Metropolitan Museum of Art

Study of Bearded Man

The Metropolitan Museum of Art

Bust of a Warrior Wearing a Plumed Helmet, Looking Toward Spectator Over His Right Shoulder (recto); Sketch of a Leg (verso)

The Metropolitan Museum of Art

The Virgin and Saint Joseph find Jesus Disputing with the Doctors in the Temple

The Metropolitan Museum of Art

Saint Francis Receiving the Stigmata

The Metropolitan Museum of Art

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