
Art Institute of ChicagoPublic domain
The Nativity
Fra Bartolommeo · 1504–7
Provenance
Ownership history
- Sold through the Monastery of San Marco, Florence, to Domenico Perini, April 16, 1507; sent by Domenico Perini to France and possibly sold to Louis XII, King of France, along with a Noli me tangere now in the Louvre, according to a list of all Fra Bartolommeo’s pictures compiled in 1516; Bedemeau de Buxerolles, Poitou. Tabarly collection, Blois, Pierre Landry, Paris, by 1955; his heirs, sold, Christie’s, London, 11 July 2001, no. 68 to Haboldt and Company, Paris; sold to the Art Institute of Chicago, 2005.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Paris, Galeries nationales, Grand Palais, France 1500: Entre Moyen Age et Renaissance, Oct. 5, 2010–Jan. 10, 2011, cat. 200.
- Art Institute of Chicago, Kings, Queens, and Courtiers: Art in Early Renaissance France, Feb. 26–May 30, 2011, cat. 115.
- Rotterdam, Museum Boijamns Van Beuningen, Fra Bartolommeo: The Divine Renaissance, Oct. 15 2016- Jan. 15, 2017, cat. 5 (ill).
Literature
Published references
- Enrico Ridolfi, “Notizie sopra varie opere di Fra da San Marco,” Giornale Ligustico di archeologica, storia e belle arti 5 (1878), p. 122.
- P. Vincenzo Marchese, Memorie dei più insigni pittori, scultori e architetti domenicani, 4th ed., vol. 2, Bologne, 1879, p. 177.
- Fritz Knapp, Fra Bartolommeo della Porta und die Schule von San Marco, Halle, 1903, p. 271.
- Janet Cox-Rearick, La Collection de François Ier, exhib. cat., Paris, Musée du Louvre, Les dossiers du département des peintures, 1972, p. 24.
- Janet Cox-Rearick, The Collection of Francis I: Royal Treasures, Antwerp, 1996, pp. 167-8, no. V-2.
- Chris Fischer, Fra Bartolommeo et son atelier. Dessins et peintures des collections françaises, exhib. cat., Paris, Musée du Louvre, 1994, p. 86, under no. 50.
- Janet Cox-Rearick, The Collection of Francis I: Royal Treasure, Antwerp, 1996, pp. 168, 447.
- E[verett] F[ahy] in L’Età di Savonarola: Fra Bartolomeo e la scuola di San Marco, exhib. cat. Florence, Palazzo Pitti and Museo di San Marco, 1996, p. 85, under no, 17.
- Serena Padovani, "Il Tondo Visconti Venosta: un capolavoro della prima maturità di Fra Bartolommeo," in Un restauro per Fra' Bartolomeo, exh. cat. , edited by Lavinia Galli Michero, pp. 14–16, 19.
- Bruce Boucher, "Notable Acquisitions at the Art Institute of Chicago," Art Institute of Chicago Museum Studies 32, no. 1 (2006), p. 56, ill. p. 57.
- "The Story of Art Retold: New Acquisitions at the Art Institute of Chicago," Apollo (October 2008): 46 (ill.).
- Hamboldt & Co. Singular Vision: Hamboldt & Co.'s Old Master Paintings and Drawings since 1983. Amserdamn: Hamboldt & Co., 2012. p. 36-37.
Comparables
Related holdings by the same hand

Monastery on the Slope of a Rocky Hill
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Standing Draped Male Figure in Three-quarters Profile (recto); Putto (verso)
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Saint Anthony Abbot
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Cupid in a Landscape
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Holy Family
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Fra Le Righe (Between the Lines)
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Fra Le Righe (Between the Lines)
Art Institute of Chicago
Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.
Research assistant